BlackStar

Category: Press Release

  • BlackStar and Xfinity Launch First-Ever Philadelphia Filmmaker Lab Cohort

    BlackStar and Xfinity Launch First-Ever Philadelphia Filmmaker Lab Cohort

    (Philadelphia, PA — October 26, 2021) — BlackStar Projects, the premier organization celebrating visionary Black, Brown, and Indigenous film and media artists, and Xfinity, home of the Black Experience Channel and the most comprehensive library of diverse entertainment available to customers via its X1 and Flex 4k Streaming devices, today announced the inaugural class of their new Philadelphia Filmmaker Lab.

    The year-long fellowship supports and uplifts Black, Brown and Indigenous emerging and mid-career artists and filmmakers in the Greater Philadelphia area by providing access to equipment, funding, and mentorship, over the course of a year. BlackStar will act as an executive producer on the short films created during the Lab, providing feedback on works in progress and advice for working with crew, while Xfinity provided a major portion of the funding for production. The films will premiere at the next BlackStar Film Festival in August 2022 and will be featured on the Black Experience on Xfinity Channel. Additionally, shortlisted candidates who did not receive a fellowship this cycle will receive one-on-one consultation from industry representatives courtesy of Kickstarter.

    The 2021 Philadelphia Filmmaker Lab fellows are Bettina Escauriza, Jasmine Lynea, Julian Turner, and Xenia Matthews. 

    Bettina Escauriza’s project, Tonight, We Eat Flowers, will center on a person who sells hold music to companies, employing magical realism and the absurd to disrupt expectations. Jasmine Lynea’s hybrid film, The Love Machine, will be set in 2036 North Philadelphia in a dominantly Black neighborhood, and will focus on cultivating a new perspective on love. Julian Turner’s short The Big Three, will engage a conversation surrounding Black representation and artistic ownership through a musical setting. Xenia Matthew’s film Ourika! will utilize surrealism, animation and multimedia elements to further the ongoing conversation on the colonization of Black women’s bodies in art and material culture.

    “I am really impressed by the sheer diversity and boldness of this year’s applications.” said Maori Karmael Holmes, Artistic Director and CEO of BlackStar, “Our finalists represent just a fraction of the incredible talent in our city and we are thrilled to be able to support their vision for new work in this way.”

    The program is open to both emerging and mid-career filmmakers seeking to create short-format projects. Applications for next year’s Philadelphia Filmmaker Lab will open in August 2022.

    “At Xfinity, we strive to facilitate the discovery of emerging Black content creators like the filmmakers in this lab and provide a platform for them to showcase their talent,” said Keesha Boyd, Executive Director, Multicultural Video & Entertainment, Xfinity Consumer Services. “We’re thrilled to work with the BlackStar team to further our company-wide mission of investing in and showcasing authentic Black stories and culture.”

    After they premiere at the BlackStar Film Festival, the films will be featured prominently on Black Experience on Xfinity, a first-of-its-kind destination of Black entertainment, movies, TV shows, news and more. It features high-quality content from many of Xfinity’s existing network partners, while investing millions of dollars in fostering and showcasing emerging Black content creators like the filmmaker lab participants. The channel is the only one of its kind endorsed by the African American Film Critics Association (AAFCA), the world’s largest group of Black film critics that gives annual awards for excellence in film and television.

    About Bettina Escauriza

    From Asunción, Paraguay, Bettina Escauriza is a filmmaker, writer, artist, and actor living in Philadelphia. She is a natural storyteller from a family of frustrated mystics, spectacular liars, ill-fated thieves, and awful politicians. Her work deals with Indigenous knowledge, colonization, immigration, and exile. Her aim as a filmmaker is to tell stories about Indigenous people and people of color that are lush, sensual, thrilling, and complex. Her desire is to tell the truth about the communities she comes from by centering narratives of joy, defiance, and resistance in the face of oppression.

    About Jasmine Lynea

    Jasmine Lynea is an artist and educator focused on composing avant-garde short films as a director, editor, and cinematographer. In an effort to preserve Black history through cinema, Lynea’s work explores ways in which Black people “safely” maneuver through this world by capturing fictional stories with a layer of realism, often rooted in Jasmine’s own experiences as a Black queer womxn. Raw, colorful, and politically weighted, Jasmine’s catalog and future works aim to design worlds centering on Black queer people’s practices of self-love, family relationships, and how we construct and create our existence. Jasmine hopes to design worlds of the future where Black folks and people of color can re-command spaces to transform our realities.

    About Julian Turner

    Julian has been developing his style in hybrid fiction and documentary cinema for the better part of a decade. His 2015 student short Tahirih, a coming-of-age tale about a young girl’s encounter with feminism, won Best Narrative at the Tri-co Film Festival and his 2019 fiction short May premiered at SXSW and played at Mill Valley Film Festival before being named a Vimeo Staff Pick. His follow-up short, Viewing Room, was the recipient of the Knight Foundation’s 2019 Artist Alumni Fund and premiered at the Maryland Film Festival in 2020. He also workshopped his feature screenplay, Cousin Sarah,at the Sundance Institute’s 2017 Screenwriters Intensive in Philadelphia. A native of Tennessee, Julian draws inspiration from the region’s complex cultural imagery and is interested in crafting narratives exploring interweaving themes of youth, race and community. A graduate of Swarthmore College with concentrations in History, Black Studies, and Film & Media Studies, Julian lives in Philadelphia and works as a freelance film editor while constantly expanding his portfolio.

    About Xenia Matthews

    Xenia Matthews is an innovative film and visual artist. She makes highly saturated hybrid films that stimulate the senses. She has a BFA in Film & Video from University of the Arts and creates films as a way to understand her own personal experiences. Black queer womanhood, and all that it encompasses – the joys, the struggles, the misunderstood – is a common topic of her work. Her film, A Few Things I’m Beginning to Understand has been programmed at Indie Memphis Film Festival, Black Femme Supremacy Film Festival, and Houston Cinema Arts Festival. In the future, Xenia plans on installing her films, using physical space to enhance the immersive experience. 

    DJ lil’dave

    BlackStar Projects also announced today the recipient of the inaugural Music in Cinema Fellowship, supported by Pop Culture Collaborative. The one year fellowship embeds one musician in BlackStar’s year-round work to design activities intended to bring more Black, Brown, and Indigenous musicians into the world of filmmaking. The inaugural fellow is David “lil’dave” Adams, who will serve as the composer of this year’s Filmmaker Lab projects.

    About David “lil’dave” Adams

    DJ lil’dave is a Philadelphia-based producer, composer, radio host, and member of the DJ crew Illvibe Collective who has made a name for himself by exposing people to soulful music in all its forms. He produces and hosts a music-focused podcast called “Excellent Reception.” He has been broadcasting for over two decades on WKDU 91.7FM, where he currently hosts the internationally-known “Eavesdrop Radio” along with DJ Junior. As a recording artist, he has released original music and remixes under various aliases for record labels around the world, such as BBE Records, Tru Thoughts, and Bastard Jazz.

    The BlackStar Philadelphia Filmmaker Lab is presented by Xfinity with additional support from All Ages Productions, Independence Public Media Foundation, Kickstarter, Vimeo, and Wyncote Foundation.

    About BlackStar Projects

    BlackStar Projects is home of the BlackStar Film Festival, an annual celebration of the visual and storytelling traditions of the African diaspora and global communities of color — showcasing films by Black, Brown, and Indigenous people from around the world. In addition to the acclaimed festival, BlackStar presents an array of programming across film and visual culture year-round, and produces the twice-annual journal Seen.

    The 10th Annual BlackStar Film Festival’s lineup included approximately 80 films, including 19 world premieres, representing 27 countries. In addition to presenting an array of live programs, panels, and select in-person events and screenings, 2021 also marked BlackStar’s selection by the Academy of Motion Picture Arts and Sciences as a qualifying festival for both short documentary and short narrative films, making BlackStar’s Best Narrative Short and Best Documentary Short winners eligible for entrance at the Academy Awards. The festival featured several in-person screenings, including the world premiere of feature documentary Eyes on the Prize: Hallowed Ground (directed by Sophia Nahli Allison).

    About Comcast Corporation

    Comcast Corporation (Nasdaq: CMCSA) is a global media and technology company that connects people to moments that matter. We are principally focused on broadband, aggregation, and streaming with 57 million customer relationships across the United States and Europe. We deliver broadband, wireless, and video through our Xfinity, Comcast Business, and Sky brands; create, distribute, and stream leading entertainment, sports, and news through Universal Filmed Entertainment Group, Universal Studio Group, Sky Studios, the NBC and Telemundo broadcast networks, multiple cable networks, Peacock, NBCUniversal News Group, NBC Sports, Sky News, and Sky Sports; and provide memorable experiences at Universal Parks and Resorts in the United States and Asia. Visit www.comcastcorporation.com for more information.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

  • BlackStar Film Festival Announces Winners  for 10th Annual Festival

    BlackStar Film Festival Announces Winners for 10th Annual Festival

    (Philadelphia, PA — August 9, 2021) — The BlackStar Film Festival, the world’s premier celebration of Black, Brown, and Indigenous film and video artists, presented this year with lead sponsor Annenberg School for Communication at the University of Pennsylvania, is pleased to announce this year’s award-winning films.

    Winners include Best Feature Documentary Writing With Fire, profiling India’s only newspaper run by Dalit women, and the group of journalists who break traditions on the frontlines of India’s biggest issues, and Best Feature Narrative Eyimofe (This Is My Desire), following the stories of a pair of Lagosians, Mofe, a factory technician, and Rosa, a hairdresser, on their quest for what they believe will be a better life on foreign shores. Both films were Philadelphia premieres.

    The full list of winning films is below. Watch a few of their acceptance speeches on Instagram.

    This year also marks the second Vimeo Staff Pick Award at BlackStar. Short films featured in the festival are eligible for this award, which includes a $2,500 cash prize, a Vimeo Pro account, and, of course, a Vimeo Staff Pick. The winning film, DEAR PHILADELPHIA (directed by Renee Osubu), is available to watch worldwide for free on Vimeo now. 

    Lionsgate and STARZ partnered with BlackStar to present the Lionsgate/STARZ Speculative Fiction Award this year. The winner of this prize will receive $5,000 and have the opportunity to showcase their films on STARZ in Black. The winner is Inheritance (directed by Annalise Lockhart).

    The winners of the third annual BlackStar Pitch, offering filmmakers of color the chance to propose their short nonfiction projects to an illustrious panel of funders, distributors, and producers, were Claudia Owusu and Ife Oluwamuyide. They will receive an artist grant and mentorship from WarnerMedia OneFifty as well as a free Vimeo Pro Account  An honorable mention winner will receive a $2,500 cash prize from POV and IF/Then, mentorship from IF/Then staff, and two hours of impact campaign planning support from Working Films. The Pitch Honorable Mention was awarded to Beeta Baghoolizadeh and Shane Nassiri.

    This year BlackStar attendees online were invited to vote for their favorite films in each category. The winners of the Audience Awards are Writing With Fire (Best Feature Documentary) Beans (Best Feature Narrative) Abundance (Best Short Narrative) Process (Best Experimental Film) and BABYBANGZ (Best Short Documentary).

    Finally, BlackStar members voted Testimony: 52nd St. and the Invisible Violence of UPenn, directed by Amelia Carter, as the winner of the Shine Award, given each year to films directed by Philadelphia-based filmmakers. This year seven films were eligible for the prize.

    This year’s BlackStar Film Festival lineup included approximately 80 films, including 19 world premieres, representing 27 countries. In addition to presenting an array of live programs, panels, and select in-person events and screenings, this year also marked BlackStar’s selection by the Academy of Motion Picture Arts and Sciences as a qualifying festival for both short documentary and short narrative films, making BlackStar’s Best Narrative Short and Best Documentary Short winners eligible for entrance at the Academy Awards. The festival also featured several in-person screenings, including the world premiere of feature documentary Eyes on the Prize: Hallowed Ground (directed by Sophia Nahli Allison), which screened online and in person at the Mann Center for Performing Arts in advance of its streaming availability on HBO Max.

    This year’s Festival is presented with the support of the following sponsors: Annenberg School for Communication, Facebook, Lionsgate/STARZ, Open Society Foundations, WarnerMedia, Eventive, Color of Change, MediaJustice, Netflix, PECO, Philadelphia Foundation, REI Coop Studios, Urban Affairs Coalition/Ending Racism Partnership, The Study Hotel, American Documentary/POV, Catapult Fund, Creative Artists Agency, Firelight Media, Impact Partners, ITVS, The Gotham Film & Media Institute,  Leeway Foundation, PBS, Philadelphia Museum of Art, Scattergood Foundation, Temple University Department of Theater, Film and Media Arts, Vimeo and WORLD Channel.

    BlackStar Projects and its year-round programs are generously supported by the Andrew W. Mellon Foundation, Andy Warhol Foundation for the Visual Arts, Ford Foundation/JustFilms, Independence Public Media Foundation, John D. and Catherine T. MacArthur Foundation, John S. and James L. Knight Foundation, Mid Atlantic Arts Foundation, Mighty Arrow Family Foundation, Nathan Cummings Foundation, Open Society Foundations, Perspective Fund, The Philadelphia Foundation, PopCulture Collaborative, Robert Wood Johnson Foundation, Samuel S. Fels Fund, Surdna Foundation, William Penn Foundation, and Wyncote Foundation, in addition to its board of directors, community partners, and a host of generous individual donors and organizations.

    Winning Films:

     

    Best Experimental Film

    Jurors: Caroline Monnet, David Hartt, Portia Cobbs

     

    Letter From Your Far-Off Country

    Dir: Suneil Sanzgiri

    A search for solidarity in the sounds and colors of a spontaneous movement in Delhi led by Muslim women, an Iqbal Bano song, the poetry of Agha Shahid Ali, and images of B.R. Ambedkar — a radical anti-caste Dalit intellectual — all revolving around a letter addressed to a distant relative.

     

    Jury Comment: LETTER FROM YOUR FAR-OFF COUNTRY is a beautifully realized and layered film that poetically moves back and forth between public and private history.

     

    Best Short Documentary

    Jurors: Louis Massiah, Rea Tajiri, Yance Ford

     

    Dear Philadelphia

    Dir: Renee Maria Osubu

    With the help of their family, friends, and faith, three fathers unravel the incomparable partnership of forgiveness and community in North Philly. Whilst walking through the intimate truths of life that can sometimes become a barrier, the film is a reminder that hope can be found in all situations.

     

    Jury Comment: DEAR PHILADELPHIA is an intimate portrait that shows the energy and resourcefulness of community, in which the characters were allowed to narrate their own stories through an outsider who is clearly trusted by their subjects.

     

    Elena

    Dir: Michèle Stephenson

    In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army, on the basis of anti-black racism. Fast-forward to 2013, the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Elena, the young protagonist of the film, and her family stand to lose their legal residency in the Dominican Republic if they don’t manage to get their documents in time. Negotiating a mountain of opaque bureaucratic processes and a racist, hostile society around, Elena becomes the face of the struggle to remain in a country built on the labor of her father and forefathers.

     

    Jury Comment: ELENA is a strong and powerful story that gives the sense that Elena is fully participating in this film process; remarkable access.

     

    Best Short Narrative

    Jurors: D’Lo, Jason Reynolds, Lynnée Denise

     

    Lizard

    Dir: Akinola Davies Jr.

    An 8-year-old girl with an ability to sense danger gets ejected from Sunday school service. She unwittingly witnesses the underbelly in and around a mega church in Lagos.

     

    Jury Comment: LIZARD is a masterpiece giving political, class, religious, and postcolonial critique, with the nerve to be a thriller because of its music.

     

    Best Feature Documentary

    Jurors: Asad Muhammad, Monika Navarro, Tracy Rector

     

    Writing With Fire

    Dir: Rintu Thomas & Sushmit Ghosh

    In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions, be it on the frontlines of India’s biggest issues or within the confines of their homes, redefining what it means to be powerful.

     

    Jury Comment: A gripping and beautifully shot film, WRITING WITH FIRE is a testament to the power of journalism and of women forging their own path.

     

    Best Feature Narrative

    Jurors: Dagmawi Woubshet, Rajendra Roy, Tayarisha Poe

     

    Eyimofe (This Is My Desire)

    Dir: Arie & Chuko Esiri

    Set in Lagos, Nigeria and told in two chapters, Eyimofe (This is My Desire) follows the stories of Mofe, a factory technician, and Rosa, a hairdresser, on their quest for what they believe will be a better life on foreign shores.

     

    Jury Comment: EYIMOFE (THIS IS MY DESIRE) is a beautifully shot, vibrant film whose cinematography believes fully in its environment, and carries an acting style that captures a complete snapshot of life in a place.

    Special Prizes:

     

    BlackStar Pitch Winner

    Judges: Alex Hannibal, CNN, Caitlin Mae Burke, IF/Then, Chi-hui Yang, Ford Foundation/JustFilms, Chloe Walters-Wallace, Firelight Media, Chris Hastings, WORLD Channel/WGBH, Jeff Seelbach, Topic/First Look Media, Mervyn Marcano, Field/House Productions, Opal Hope Bennett, POV/American Documentary

     

    Ampe Study: or Leap into the Sky, Black Girl

    Claudia Owusu & Ife Oluwamuyide 

     

    BlackStar Pitch Honorable Mention

     

    Diaspora Letters: Postmarks Between Iran and the US

    Beeta Baghoolizadeh & Shane Nassiri

     

    Lionsgate/STARZ Award for Best Speculative Fiction

     

    Inheritance

    Dir: Annalise Lockhart

    On Norra’s 25th birthday, she and her brother inherit the deed to their family’s small cabin. With this auspicious birthday, she starts seeing the spirits that have been haunting her brother and father for years.

    Shine Award Winner

     

    Testimony: 52nd St. and the Invisible Violence of UPenn

    Dir. Amelia Carter

     

    Vimeo Staff Pick Award

     

    Dear Philadelphia

    Dir: Renee Osubu

    With the help of their family, friends, and faith, three fathers unravel the incomparable partnership of forgiveness and community in North Philly. Whilst walking through the intimate truths of life that can sometimes become a barrier, the film is a reminder that hope can be found in all situations.

     

    Richard Nichols Luminary Award

     

    Menelik Shabazz

    Presented to Nadia Denton

    “The late Menelik Shabazz’s life and career are an inspiration to our BlackStar family, and we are honored to present our 2021 Richard Nichols Luminary Award to the late and great Menelik Shabazz. Shabazz’s daughter, Nadia Denton, has accepted this award on his behalf.” – Nehad Khader, BlackStar Film Festival Director

    Audience Awards

    Best Feature Documentary: 

    Writing With Fire

    Dir: Rintu Thomas & Sushmit Ghosh

    Best Feature Narrative: 

    Beans

    Dir: Tracey Deer

    Best Short Narrative: 

    Abundance

    Dir: Kym Allen

    Best Experimental Film: 

    Process

    Dir: Christian Padron

    Best Short Documentary: 

    BABYBANGZ

    Dir: Juliana Kasumu

    About BlackStar Projects

    BlackStar Projects is the producer of the BlackStar Film Festival, an annual celebration of the visual and storytelling traditions of the African diaspora and global communities of color — showcasing films by Black, Brown, and Indigenous people from around the world. In addition to the acclaimed festival, BlackStar presents an array of programming across film and visual culture year-round, and produces the twice-annual journal Seen.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Emma Frohardt
    Account Coordinator, Cultural Counsel
    emma@culturalcounsel.com

  • BlackStar Announces Programs, Closing Night World Premiere for 10th Anniversary Film Festival

    BlackStar Announces Programs, Closing Night World Premiere for 10th Anniversary Film Festival

    BlackStar Projects, the premier organization celebrating visionary Black, Brown, and Indigenous film and media artists, today announced the programs accompanying this year’s 10th annual BlackStar Film Festival, as well as the addition of a new world premiere to the film slate.

    The BlackStar Film Festival is also proud to announce it has been selected by the Academy of Motion Picture Arts and Sciences as a qualifying festival for both documentary and narrative short films, making BlackStar Best Narrative and Documentary Short Award-winners eligible for entrance at the Academy Awards®.

    This year’s Festival will take place virtually, with select in-person presentations, screenings, and events, August 4-8, 2021. Tickets for the festival are available for order here. An all-access pass is $125, a virtual festival pass is $100, and an in-person screening pass is $45. Requests for press credentials are available here.

    In advance of this years’ Festival, BlackStar has announced the late Menelik Shabazz as the recipient of the 2021 Richard Nichols Luminary Award, recognizing outstanding contributions in the arts and social change. Director of the acclaimed Burning an Illusion, among many other films, Shabazz was also the founder and publisher of Black Filmmaker Magazine. Shabazz, who passed away in June, was one of the most groundbreaking filmmakers of our time, eternally changing Black, Caribbean, British, and global cinema as we know it. Past recipients of the Luminary Award include Haile Gerima, Julie Dash, RZA, Ava DuVernay, dream hampton, and Marcia Smith.

    In addition to the 80 films already announced for the festival, BlackStar is proud to partner with HBO to present the world premiere of feature documentary Eyes on the Prize: Hallowed Ground, which will be screened at the Mann Center at 6pm on August 8th, in advance of its streaming availability on HBO Max, which will begin on August 19. Honoring Henry Hampton’s masterpiece Eyes on the Prize, the film conjures ancestral memories, activates the radical imagination, and explores the profound journey for Black liberation through the voices of the movement. A portal through time, Eyes on the Prize: Hallowed Ground is a mystical and lyrical reimagining of the past, present, and future.

    In addition to the digital screening slate, the BlackStar Film Festival will also feature conversations, programs, roundtable discussions, and more, highlighting the voices and visions of filmmakers, thinkers, and leaders across the field.

    Each morning, at 9:30am ET, the festival will kick off with The Daily Jawn, a morning talk show co-hosted by BlackStar founder Maori Karmael Holmes, filmmaker-artist Rashid Zakat, and a rotating crew of special guest hosts. The show features interviews with filmmakers and panelists, astrological updates, insightful social critique, and much more.

    The run of the festival will also include conversations and roundtables with leading voices in the culture, live-streaming online. Participants include producer, filmmaker, and publisher Sacha Jenkins; Grammy Award-winning musician Meshell Ndegeocello; acclaimed interdisciplinary artist Rashaad Newsome; writer and scholar Imani Perry; curator and writer Legacy Russell, award-winning score composer Tamar-kali (Mudbound, Shirley, The Assistant); and many more. The topics of these conversations span candid discussions of mental health and filmmaking; what actors and filmmakers need to know about forming and being in relationship with literary, film, and casting agents; and non-extractive, healing-centered approaches to storytelling, in pursuit of a framework for values-based filmmaking.The full list of live streamed conversations, which will be aired on Facebook, is available here, and reproduced below.

    In addition to the conversations and panels, there will be a number of outdoor in-person events in Philadelphia this year. These include morning group yoga sessions at Drexel Square; opening and closing night parties; and nightly film screenings at Eakins Oval, in front of the Philadelphia Museum of Art, from 8pm to 11pmAugust 4 – 7. The parties, yoga sessions, and Eakins Oval screenings are all free and open to the public — free registration is available for both the opening and closing night parties on the Festival site.

    On August 8, all-access and BlackStar @ the Mann pass holders can attend a full day of outdoor screenings at the Mann Center in Philadelphia featuring food vendors, an open lawn, and covered seating options. Screenings will begin at 11:00am ET, with Best Feature Narrative nominee Waikiki, and conclude with closing night film Hallowed Ground, featuring a post-screening Q&A with director Sophia Nahli Allison, executive producer Mervyn Marcano, and venerable artist and cultural worker Sonia Sanchez.

    Returning for the third year, and in keeping with the Festival’s maker-centric approach, will be BlackStar’s Pitch Session, which brings eight filmmakers to pitch short doc projects to a panel of experts from foundations, distributors, and production houses. The Pitch Session will take place August 3, and is open to invited guests and festival passholders.

    Live-Streamed Conversations

    BlackStar Pitch Session

    August 3, 12-2:30pm

    Presented by WarnerMedia/OneFifty

    The Daily Jawn, Presented by PBS and World Channel 

    August 4-8, daily at 9:30am, Facebook Live

    With Laiya St. Clair, D’Lo, Ethel Cee, Anne Ishii, Dr. Yaba Blay, and more

    Nuotama Bodomo and Fox Maxy in Conversation With Tina Campt

    August 4, 12-1pm

    Glitch and the Moving Image 

    August 4, 2-3pm

    Co-presented by MediaJustice

    With Legacy Russell, Cameron A. Granger, E. Jane and Jazmin Jones; moderated by Imran Siddiquee

    Composers Roundtable

    August 4, 4-5pm

    With Sultana Isham, Jlin, Tamar-Kali, and Amanda Jones; moderated by Dave “DJ lil’ dave” Adams

    Sacha Jenkins in Conversation with Dyana Williams

    August 4,  6-7pm

    Co-presented by Showtime

    Meshell Ndegeocello in Conversation with Imani Perry

    August 5, 12-1pm

    Mental Health and Filmmaking

    August 5, 2-3pm

    Co-presented by American Documentary (POV), PBS, Scattergood Foundation, and WORLD Channel

    With Michèle Stephenson, Lyric Cabral, Gessica Généus, and Nicole Naone; moderated by Yolo Akili

    Lower-Frequency Politics

    August 7, 4-5pm

    With Rashaad Newsome, Maya Cozier, Leilah Weinraub, Aziah “Zola” Wells and Vashni Korin; moderated by Samantha Noël

    R-E-S-P-E-C-T: Balancing Power and Care in Doc Filmmaking

    August 5, 6-8 pm

    In Partnership with the Doc Accountability Working Group

    With Natalie Bullock-Brown, Sonya Childress, Michelle Lanier, Twiggy Pucci-Garcon, Poh Si Teng and Dr. Kameelah Rashad

    Caribbean Film and Relational Poetics

    August 7, 10:30-11:30 am

    In partnership with Third Horizon

    Co-presented by Black Public Media

    With Wally Fall, Jason Fitzroy Jeffers, Shari Petti, and Nino Martínez Sosa; moderated by Dessane Lopez Cassell

    On a Move!

    August 6, 6-7 pm

    Co-presented by Leeway Foundation and Temple University Department of Theater, Film and Media Arts

    With Debbie Africa, Mike Africa, Mike Africa Jr., Louis Massiah, Maori Karmael Holmes, and Ephraim Asili; moderated by Krystal Strong

    Going Back to Get It: On Cinematic Archival Practice 

    August 7, 12-1pm

    Co-presented by Black Public Media and Impact Partners

    With Darius Clark Monroe, Tzutzu Matzin, Mahasen Nasser-Eldin, and Emily Jacir; moderated by Savannah Wood

    Agent’s & Manager’s Roundtable

    August 7, 2-3pm

    Co-presented by CAA

    With Adesuwa McCalla, Noel Tedla Mesfin, Talitha Watkins and Rukayat Giwa; moderated by Brandon Pankey

    Love + Grit Podcast at BlackStar

    August 6, 2-3pm

    Coral Messam in Conversation With Jasmine Johnson

    August 8, 11am-12pm

    In-Person Events and Screenings

    Nightly Outdoor Screenings at Eakins Oval

    August 4-7, 8pm, Eakins Oval (2451 Benjamin Franklin Parkway, Philadelphia)

    Free with Registration

    August 4: Beans

    August 5: Eyimofe (This Is My Desire)

    August 6: Shorts: Phototropism, featuring six short films

    August 7: Bitchin’: The Sound and Fury of Rick James

    Opening Night Party: Revival! with Rashid Zakat, lil’ dave, and OluwafemiCo-presented with Firelight Media

    August 4, 8pm-12am, Bartram’s Garden, (5400 Lindbergh Blvd., Philadelphia)

    Festival Happy Hour  by Color of Change 

    August 8, 5-7pm at Attico (219 S Broad St., Philadelphia)

    Yoga 

    August 6-8, 8:30am at Drexel Square (3001 Market St., Philadelphia, PA)

    BlackStar @ the Mann (ticketed)

    August 8, 11am-8pm at the Mann Center for the Performing Arts, TD Pavilion (5201 Parkside Ave., Philadelphia, PA)

    Closing Night Party: Kiss-n-Grind, featuring Vikter Duplaix and Rich Medina, hosted by Laiya St. Clair

    August 4, 8-11pm, Cira Green, (129 S 30th St., Philadelphia, PA)

    All times in ET. To register for these events, visit www.blackstarfest.org/2021festival/

    This year’s Festival is presented with the support of the following sponsors: Annenberg School for Communication, Facebook, Lionsgate/STARZ, Open Society Foundations, WarnerMedia, Eventive, Color of Change, MediaJustice, Netflix, PECO, Philadelphia Foundation, REI Coop Studios, Urban Affairs Coalition/Ending Racism Partnership, The Study Hotel, American Documentary/POV, Catapult Fund, Creative Artists Agency, Firelight Media, Impact Partners, ITVS, The Gotham Film & Media Institute,  Leeway Foundation, PBS, Scattergood Foundation, Temple University Department of Theater, Film and Media Arts, Vimeo and WORLD Channel.

    BlackStar Projects and its year-round programs are generously supported by the Andrew W. Mellon Foundation, Andy Warhol Foundation for the Visual Arts, Ford Foundation/JustFilms, Independence Public Media Foundation, John D. and Catherine T. MacArthur Foundation, John S. and James L. Knight Foundation, Mid Atlantic Arts Foundation, Mighty Arrow Family Foundation, Nathan Cummings Foundation, Open Society Foundations, Perspective Fund, PopCulture Collaborative, Samuel S. Fels Fund, Surdna Foundation, William Penn Foundation, and Wyncote Foundation, in addition to its board of directors, community partners, and a host of generous individual donors and organizations.

    For more information on festival programming, visit www.blackstarfest.org/2021festival/.

    About BlackStar Projects

    BlackStar Projects is the producer of the BlackStar Film Festival, an annual celebration of the visual and storytelling traditions of the African diaspora and global communities of color — showcasing films by Black, Brown, and Indigenous people from around the world. In addition to the acclaimed festival, BlackStar presents an array of programming across film and visual culture year-round, and produces the twice-annual journal Seen.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Emma Frohardt
    Account Coordinator, Cultural Counsel
    emma@culturalcounsel.com

  • BlackStar Announces 10th Anniversary Festival Lineup

    BlackStar Announces 10th Anniversary Festival Lineup

    Poster by Andrea Pippins(Philadelphia, PA — July 6, 2021) — BlackStar Projects, the premier organization celebrating visionary Black, Brown, and Indigenous film and media artists, today announced the films selected for inclusion in this year’s 10th annual BlackStar Film Festival. The festival will take place virtually August 4-8, 2021, with select in-person screenings in Philadelphia, and include narrative features and shorts, documentary features and shorts, and experimental films. Festival attendees will also have access to a range of programs, conversations, and events, which will be presented digitally alongside the festival.

    Tickets for the festival are now available for order here. An all-access pass is $125, a virtual festival pass is $100, and an in-person screening pass is $45.

    The 2021 BlackStar Film Festival will feature a total of 80 films, representing 27 countries, including 18 world, 2 North American, and 7 US premieres. Twenty-nine additional films will be Philadelphia premieres.

    “So much of BlackStar’s magic is in the people, and the opportunity to bring incredible independent filmmakers together. In ten years we have seen so much of that togetherness, of filmmakers finding each other and their audiences, and I can’t wait to see what the next ten bring,” says BlackStar Artistic Director & CEO Maori Karmael Holmes. “And while we remain mostly distanced, with a primarily digital festival again this year, we are excited to share this incredible film slate, which is global in scope, with the global audience the digital format allows.”

    “This year’s films speak to a tremendous breadth of experiences, geographies, histories, aesthetics, and visions,” says Festival Director Nehad Khader. “These films address eternal preoccupations and pressing issues alike, and do so with grace, humor, beauty, and intelligence, and we are so excited to celebrate these filmmakers and their work.”

    Strength, a feature documentary by Jorge Díaz Sánchez chronicling an indigenous youth basketball team in Oaxaca, Mexico, in its world premiere

    Friendzone L.A., a short narrative by Angel Kristi Williams, in which two friends, one of whom is quietly in love with the other, spend a day exploring Los Angeles, in its world premiere

    Madame Pipi, a short documentary by Rachelle Salnave following the lives of Haitian bathroom attendants working the nightclubs of Miami amidst the uncertainties of COVID-19 and rising costs of living, in its world premiere

    The Inheritance, a feature narrative by Ephraim Asili, which weaves the history of the West Philadelphia-based MOVE Organization, the Black Arts Movement, and a narrative based on the filmmaker’s younger years when he was a member of a Black radical collective

    Teeth, an experimental film by Jennifer Martin, in which a couple are forced by UK immigration officials to provide increasingly performative evidence their relationship’s legitimacy, a gruelling audition of acceptability that quickly escalates into surreal horror, in its US premiere

    The Silent Protest: 1929 Jerusalem, a short documentary by Mahasen Nasser-Eldin chronicling a 1929 protest launched by a Palestinian women’s movement in Jerusalem who held a silent demonstration in protest of the British colonization, in its US premiere

    Their Algeria, a feature documentary by Lina Soualem about her grandparents’ separation after 62 years together, their lives in Algeria and their experiences as immigrants living in a small medieval town in central France, in its US premiere

    Eyimofe (This Is My Desire), a feature narrative by Arie and Chuko Esiri that follows the stories of a pair of Lagosians, Mofe, a factory technician, and Rosa, a hairdresser, on their quest for what they believe will be a better life on foreign shores, in its Philadelphia premiere

    Bitchin’: The Sound and Fury of Rick James, a feature documentary by Sacha Jenkins that tells the story of the legendary funkster’s extraordinary and tumultuous life, times and musical legacy, in its Philadelphia premiere

    Pink Carnations, an experimental film by Nadia Hironaka & Matthew Suib reflecting on a Japanese American family’s history at an internment camp during World War II, in its Philadelphia premiere

    Writing with Fire, a feature documentary by Rintu Thomas and Sushmit Ghosh profiling India’s only newspaper run by Dalit women, a group of journalists who break traditions on the frontlines of India’s biggest issues and within the confines of their homes, in its Philadelphia premiere

    Beans, a feature narrative by Tracey Deer about a 12-year-old torn between innocent childhood and delinquent adolescence; forced to grow up fast to become the tough Mohawk warrior she needs to be during the Indigenous uprising known as The Oka Crisis, which tore Quebec and Canada apart in the summer of 1990, in its Philadelphia premiere

    Waikiki, a feature narrative by Christopher Kahunahana about a hula dancer’s fight for survival and sanity in the shadows of Waikiki, an unflinching glimpse into paradise where there remains hope through human connection and reconnection to ʻaina (nature), in its Philadelphia premiere

    Melting Snow, an experimental film by Janah Elise exploring the coloniality of Puerto Rico’s labor force through the symbol water

    In addition to the digital screenings, there will be a slate of in-person events in Philadelphia this year. These include opening and closing night parties, which are free and open to the public, and free, nightly film screenings at Eakins Oval, in front of the Philadelphia Museum of Art, from 8pm to 11pmAugust 4 – 7.

    • Opening Night Party: Revival! with Rashid Zakat

    August 4, 8pm-12am, Bartram’s Garden 

    • A full day of in-person film screenings (ticketed)

    August 8, at the Mann Center

    • Closing Night Party: Kiss-n-Grind with Vikter Duplaix 

    August 8, 8-11pm, Cira Green

    More information about festival programs and in-person screenings will be announced soon.

    This year marks the 10th anniversary of the BlackStar Film Festival, which has seen considerable and continued growth over the past decade, both in the scope and reach of the festival itself and with new and continuing initiatives for the organization year-round. Among these new initiatives are Seen, a print journal of film and visual culture focused on Black, Brown, and Indigenous communities globally published twice each year; and the podcast Many Lumenswhich finds BlackStar founder Maori Karmael Holmes in dialogue with the most groundbreaking artists, change makers, and cultural workers in the game.

    Another new initiative is The William and Louise Greaves Filmmaker Seminar, whose inaugural edition took place virtually from March 19-21, 2021. Based on the success of the day-long filmmakers’ symposium at the annual festival, this three-day gathering for artists of color working in cinematic realms featured a keynote address from Ghanaian filmmaker Nuotama Bodomo, a special work-in-progress screening with Adam Khalil & Zack Khalil, a live Director’s Commentary event with Yance Ford, along with curated programs of short films, panel discussions involving industry professionals, and much more.

    In celebration of this year’s major anniversary milestone, BlackStar has also launched a print portfolio fundraiser, through which BlackStar supporters can purchase limited-edition prints—a new print is made available each month. Prints by Cauleen Smith, Damon Davis, Garrett Bradley, Kevin Jerome Everson, Louis Massiah, and Michelle Angela Ortiz are currently available. The organization will continue to release an exclusive, limited edition, 8.5 x 11-inch print on the 15th of each month, featuring artworks by Haile Gerima, Arthur Jafa, Kahlil Joseph, Terence Nance , Fahamu Pecou, and Andrea Pippins. More information on purchasing options and the print series is available on BlackStar’s website here.

    This year’s Festival is presented with the support of the following sponsors: Annenberg School for Communication, Facebook, Lionsgate/STARZ, Open Society Foundations, WarnerMedia, Eventive, MediaJustice, Red Bull, Netflix, PECO, Philadelphia Foundation, REI Coop Studios, Urban Affairs Coalition, The Study Hotel, American Documentary/POV, Creative Artists Agency, Firelight Media, Impact Partners, ITVS, The Gotham Film & Media Institute,  Leeway Foundation, Scattergood Foundation, Temple University Department of Theater, Film and Media Arts, Vimeo and WORLD Channel.

    BlackStar Projects and its year-round programs are generously supported by the Andrew W. Mellon Foundation, Andy Warhol Foundation for the Visual Arts, Ford Foundation/JustFilms, Independence Public Media Foundation, John D. and Catherine T. MacArthur Foundation, John S. and James L. Knight Foundation, Mid Atlantic Arts Foundation, Mighty Arrow Family Foundation, Nathan Cummings Foundation, Open Society Foundations, Perspective Fund, Samuel S. Fels Fund, Surdna Foundation, William Penn Foundation, and Wyncote Foundation, in addition to its board of directors, community partners, and a host of generous individual donors and organizations.

    Last year’s festival included approximately 90 films, including 24 world premieres, and represented more than 20 countries. In addition to presenting a wide-ranging program of live programs and panels online, the festival also featured three drive-in screenings at Philadelphia’s Mann Center for the Performing Arts in West Fairmount Park.

    More information on judging, sponsors, and additional programming and events will be announced soon. For more information on the festival and its programs, visit blackstarfest.org.

    About BlackStar Projects

    BlackStar Projects, home of the annual BlackStar Film Festival, celebrates and provides platforms for visionary Black, Brown, and Indigenous artists. We do this by producing year-round programs including film screenings, exhibitions, an annual film festival, a filmmaker seminar, a film production lab, and a journal of visual culture. These programs provide artists opportunities for viable strategies for collaborations with other artists, audiences, funders, and distributors.

    Press Contact

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

  • BlackStar Launches Second Issue of Seen

    BlackStar Launches Second Issue of Seen

    BlackStar Projects, producer of the BlackStar Film Festival, is proud to announce the launch of the second issue of Seen, its twice-annual journal of film and visual culture made for and about Black, Brown, Indigenous, and other artists of color.

    Issue 002 of Seen will be available for pre-order here beginning May 25, and the print and digital editions will be officially released on June 18th.

    Guest-edited by curator, writer, and editor Dessane Lopez CassellSeen’s second issue includes essays, reviews, interviews, original art and photography, and more. The issue features a wide range of voices, including strong representation of Caribbean creatives, across writers and subjects.

    “As each piece in this issue exemplifies, this work of carving out space is both transformative and integral to Black, Brown, and Indigenous communities around the world.” writes Lopez Cassell in her introduction to the issue. “It is often quiet, slow, spiritual, and perhaps most importantly, it is ongoing.”

    Highlights from the second issue of Seen include Razan Al-Salah on queer, anticolonial filmmaking, Karas Lamb in conversation with QuestloveLakshmi Padmanabhan on Minari & American-ness, Astria Suprak’s visual essay on science fiction, futurity, and Asian material culture, a review of Liborio by Dixa Ramírez D’Oleo, and a behind-the-scenes look at photographer and artist Rikkí Wright’s Los Angeles studio. The cover story features filmmaker Keisha Rae Witherspoon’s script for T, accompanied by an original introduction.

    The release of Issue 002 is accompanied by a dynamic IG live series featuring Seen contributors. All conversations will take place between Blackstar’s Instagram (@blackstarfest) and Seen’s (@seen_journal). The first live conversation aligns with partner organization Color of Change’s Racial Justice Week of Action, and will take place on May 25th at 2:30pm ET with special guests Keisha Rae Witherspoon and Gina Duncan. On June 1st, Astria Suparak and BlackStar Festival Director Nehad Khader will go live at 4pm ET, and June 8th will feature Dessane Lopez Casell and Jlin, live at 4pm ET.

    The release of the new issue of Seen kicks off BlackStar’s summer season, which includes the 10th anniversary of its signature program, the BlackStar Film Festival, which will run from August 4-8, 2021. This year also marked the launch of several new and ongoing initiatives, including the Blackstar 10th Anniversary Print Sale and podcast Many Lumens. A new limited edition print by celebrated artists is released on the 15th of every month to fundraise in honor of Blackstar’s first decade. Participating artists include: Garrett Bradley, Arthur Jafa, Kahlil Joseph, and Cauleen Smith. Meanwhile, BlackStar’s new podcast Many Lumens now has five episodes available — all illuminating conversations between BlackStar Artistic Director and CEO Maori Karmael Holmes and a range of guests, including dream hampton, Janicza Bravo, and Blitz Bazawule.

    The full list of Seen contributors includes Razan AlSalah, Saleem Albeik, Heitor Augusto, Erin Christovale, Jemma Desai, D’Lo, Terri Francis, Maori Karmael Holmes, Beandrea July, Karas Lamb, Luce Capco Lincoln, Dessane Lopez Cassell, Rachell Morillo, Janaína Oliveira, Meg Onli, Lakshmi Padmanabhan, Jlin, Keisha Rae Witherspoon, Farrah Rahaman, Dixa Ramírez D’Oleo, Imran Siddiquee, Tzutzumatzin Soto, Astria Suparak, Claire Tancons, Lendl Tellington, and Rikkí Wright.

    The issue’s cover features the work of filmmaker Keisha Rae Witherspoon. In addition to Lopez Cassell, the editorial staff includes: Caroline Washington⁠⁠, Art Director; Nehad Khader⁠⁠, Managing Editor⁠⁠; Leo Brooks⁠⁠, Design Associate; Imran Siddiquee, Communications Director; Jasmine Weber⁠⁠, Essays Editor⁠⁠; Kavita Rajanna⁠⁠, Interviews Editor⁠⁠; Yasmine Espert⁠⁠, Profiles & Reviews Editor⁠⁠; Sydney Alicia Rodriguez, Program Associate; Shauna Swartz⁠⁠, Copyeditor⁠⁠⁠⁠; and Maori Karmael Holmes, Founding Editor.⁠⁠

    Seen’s Editorial Advisory Board consists of Jeff Chang, Akiba Solomon, John L. Jackson, Jr., Louis Massiah, Adam Piron, Roya Rastegar, Sally Singer, Elizabeth Méndez Berry, Tarana Burke, Greg Tate, Gina Duncan, and Zaheer Ali.

    Seen may be purchased via local, international, and online outlets, including: BYE BYE NEIGHBOR, Harriett’s Bookshop, magCulture, McNally Jackson, Philadelphia Printworks, Reparations Club, The Sable Collective, Tomorrow Today, and Ulises. To purchase your copy, visit  blackstarfest.org/Stockists for more information.

    The first issue of Seen, edited by BlackStar Artistic Director and CEO Maori Karmael Holmes, included essays, reviews, interviews, original art and photography, and more. The first issue introduced the publication with features including Heitor Augusto on queer Brazilian cinema, Niela Orr in conversation with The Forty-Year-Old Version writer/director Radha Blank, a look inside renowned painter Amy Sherald’s Jersey City studio, an unproduced short script by Terence Nance, and storyboards from Blitz Bazawule’s The Burial of Kojo.

    Issue 003, to be released later this year, will be edited by writer and filmmaker Darol Olu Kae.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Robert Grand
    Account Coordinator, Cultural Counsel
    robert@culturalcounsel.com

  • BlackStar Celebrates 10th Anniversary with 2021 Festival

    BlackStar Celebrates 10th Anniversary with 2021 Festival

    BlackStar Projects, the premier organization celebrating visionary Black, Brown, and Indigenous film and media artists, is proud to announce that the next edition of their annual festival will take place August 4-8, 2021. The festival will be held virtually again in light of the continuing COVID-19 pandemic.

    “So much has changed in the past decade, for us as an organization, for the artists we serve, and the field at large,” says BlackStar Artistic Director & CEO Maori Karmael Holmes. “It’s an honor to be engaged with cultural work at this transformative time and see the impact these creators are making here in the U.S. and around the world.”

    This year marks the 10th anniversary of the BlackStar Film Festival, which has seen considerable and continued growth over the past decade, both in the scope and reach of the festival itself and with new and continuing initiatives for the organization year-round. Among these new initiatives are Seen, a print journal of film and visual culture focused on Black, Brown, and Indigenous communities globally published twice each year; the podcast Many Lumenswhich finds BlackStar founder Maori Karmael Holmes in dialogue with the most groundbreaking artists, change makers, and cultural workers in the game; and BlackStar Live!, a streaming talk show featuring interviews with filmmakers, visual artists, authors, and musicians, not to mention sketch comedy, insightful social critique, musical performances.

    Another new initiative includes The William and Louise Greaves Filmmaker Seminar, whose inaugural edition took place virtually from March 19-21, 2021. Based on the success of the day-long filmmakers’ symposium at the annual festival, this three-day gathering for artists of color working in cinematic realms featured a keynote address from Ghanaian filmmaker Nuotama Bodomo, a special work-in-progress screening with Adam Khalil & Zack Khalil, a live Director’s Commentary event with Yance Ford along with curated programs of short films, panel discussions involving industry professionals, and much more.

    In celebration of this year’s major milestone, BlackStar launched a print portfolio fundraiser, through which BlackStar supporters can purchase limited-edition prints—a new print is made available each month. Prints are currently on sale by Oscar-nominated TIME (BlackStar 2020) director Garrett Bradley, documentary filmmaker, MacArthur Fellow, founder of the Scribe Video Center in Philadelphia, and How to Make A Flower: La Méthode MOBO (BlackStar 2020) director Louis Massiah, and award-winning, post-disciplinary artist and Whose Streets? (BlackStar 2017) co-director Damon Davis. The organization will continue to release an exclusive, limited edition, 8.5 x 11-inch print on the 15th of each month, featuring artworks by Kevin Jerome Everson, Haile Gerima, Arthur Jafa, Kahlil Joseph, Terence Nance, Michelle Angela Ortiz, Fahamu Pecou, Andrea Pippins, and Cauleen Smith. More information on purchasing options and the print series is available on BlackStar’s website here.

    BlackStar Projects and our year-round programs are generously supported by the Academy of Motion Pictures Arts & Sciences, Andrew W. Mellon Foundation, Andy Warhol Foundation for the Visual Arts, Annenberg Center for the Performing Arts, Annenberg School for Communication at University of Pennsylvania, Barra Foundation, CineReach, Ford Foundation/JustFilms, Independence Public Media Foundation, John D. and Catharine T. MacArthur Foundation, John S. and James L. Knight Foundation, Mid Atlantic Arts Foundation, Nathan Cummings Foundation, Perspective Fund, Samuel S. Fels Fund, Sundance Institute, Surdna Foundation, William Penn Foundation, and Wyncote Foundation. We are also supported by our board of directors, community partners, and a host of generous individual donors and organizations.

    BlackStar Film Festival’s 2020 edition included approximately 90 films, including 24 world premieres, and represented more than 20 countries. In addition to presenting a wide-ranging program of live programs and panels online, the festival also featured three drive-in screenings at Philadelphia’s Mann Center for the Performing Arts in West Fairmount Park.

    Additional information on ticketing, judging, sponsors, programming, and the slate of films that will be featured at this year’s festival will be announced soon. For overall information on BlackStar, including its festival and programs, visit blackstarfest.org.

    About BlackStar Projects

    BlackStar Projects, home of the annual BlackStar Film Festival, celebrates and provides platforms for visionary Black, Brown, and Indigenous artists. We do this by producing year-round programs including film screenings, exhibitions, an annual film festival, a filmmaker seminar, a film production lab, and a journal of visual culture. These programs provide artists opportunities for viable strategies for collaborations with other artists, audiences, funders, and distributors.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Robert Grand
    Account Coordinator, Cultural Counsel
    robert@culturalcounsel.com

  • BlackStar Projects and The Fabric Workshop and Museum Present New Installation of Revival!

    BlackStar Projects and The Fabric Workshop and Museum Present New Installation of Revival!

    BlackStar Projects, the premier organization celebrating visionary Black, Brown, and Indigenous film and media artists, in partnership with The Fabric Workshop and Museum, is proud to present a new iteration of Revival!, an audio-visual meditation celebrating the visual and sonic culture of shared Black spiritual experience. The installation is part of BlackStar’s efforts to provide engaging programming that extends beyond their annual film festival, hosted in Philadelphia each summer. Originally a live-streamed series of virtual dance parties and performances, this iteration of Revival! will be on view in The Fabric Workshop and Museum’s Arch Street window from February 21 through June 6, 2021, and will gradually expand and evolve over that time.

    Revival! features an audio-visual mix by filmmaker and artist Rashid Zakat. An attempt to reimagine and practice what collective joy and resilience look like in times of crisis, Revival! subtly draws upon José Esteban Muñoz’s notion of ecstasy as “an invitation, a call to a then-and-there, a not-yet-here… a collective potentiality,” treating ecstasy not only as a corrective balm to injury but a world-making claim to the right of life, imagination, and joyful expression, an especially critical response to our current moment.

    Featured on a grid of video monitors in FWM’s front window on Arch Street in Center City, the accompanying soundtrack for Revival! will be projected onto the street during museum hours. Viewers are also invited to scan a QR code to access the Revival! stream from their personal devices anytime, anywhere. The installation is meant to be iterative, with evolving content to be featured over the course of its run through early June.

    Museum hours are 12 pm to 6 pm on Tuesday through Friday and 12 pm to 5 pm on Saturday and Sunday. Additional support for Revival! is provided by the Stavros Niarchos Foundation (SNF) Paideia Program at the University of Pennsylvania.

    To see more of Zakat’s work, visit Rashid.tv.

    About The Fabric Workshop and Museum

    Founded in 1977, The Fabric Workshop and Museum (FWM) both makes and presents, encouraging artists to experiment with new materials and new media in a veritable living laboratory. Through its renowned Artist-in-Residence (AIR) Program, FWM collaborates with artists to expand their practices, while documenting the course of artistic production from inspiration to realization. FWM presents large-scale exhibitions, installations, and performative work, utilizing innovative fiber and other media. Today, FWM is the only US institution devoted to creating work in textile and new media in collaboration with some of the most significant artists of our time.

    About BlackStar Film Festival

    The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and global communities of color — showcasing films by Black, Brown, and Indigenous people from around the world.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Robert Grand
    Account Coordinator, Cultural Counsel
    robert@culturalcounsel.com

  • BlackStar Projects Announces Staff and Board Additions

    BlackStar Projects Announces Staff and Board Additions

    BlackStar Projects the premier organization celebrating visionary Black, Brown, and Indigenous film and media artists, is proud to announce a further expansion of its staff and board, reflecting its continued growth as it enters its 10th year.

    Three new full-time staff members are joining the BlackStar team: Sara Zia Ebrahimi as Deputy Director; Leo Brooks as Communications & Design Associate; and Sydney Alicia Rodriguez as Program Associate. These new staff members join as BlackStar continues to expand its reach into year-long programming that provides artists and filmmakers with opportunities for collaborations with colleagues, audiences, funders, and distributors across the world.

    Prior to joining BlackStar, Ebrahimi has held positions at the Leeway Foundation, Independent Television Service’s (ITVS) Community Cinema program and at Bread & Roses Community Fund. Brooks, formerly BlackStar’s 2020 Summer Fellow, has also held positions at the Jewish Museum and HvADesign, and Rodriguez has worked on the BlackStar Film Festival for several years, in addition to positions at Aubin Pictures and MTV.

    BlackStar is also proud to welcome to their esteemed Board of Directors Taj Reid, EVP, Executive Design Director at Edelman. Reid joins a robust Board that includes Maori Karmael Holmes, BlackStar’s Artistic Director and CEO; Denise Beek, Chief Communications Officer of ‘me too.’ International; Amanda Branson Gill, Co-Founder of Kilo Films; Sekou Campbell, Partner at Culhane Meadows PLLC; Michael Garden, Principal of Michael Garden Group; Sunanda Ghosh, Director of Strategic Growth at The Redford Center; Ted Passon, President of All Ages Productions; and Tayyib Smith, Principal of organizations Little Giant, Smith&Roller, and Pipeline Philly.

    BlackStar continues its special print portfolio and fundraiser, celebrating the 10th anniversary of the organization. A limited-edition print is currently available from TIME (BlackStar 2020) director Garrett Bradley, and the organization will continue release an exclusive, limited edition, 8.5 x 11-inch print on the 15th of each month, featuring artworks by Damon Davis, Kevin Jerome Everson, Haile Gerima, Arthur Jafa, Kahlil Joseph, Louis Massiah, Terence Nance, Michelle Angela Ortiz, Fahamu Pecou, Andrea Pippins, and Cauleen Smith. More information on purchasing options and the print series is available on BlackStar’s website here.

    Expanding on the success of the annual day-long filmmakers symposium at the Festival (that has included 100 filmmakers of color annually), BlackStar is also hosting The William and Louise Greaves Filmmaker Seminar, a three-day gathering for artists of color working in cinematic realms this year. Due to the ongoing COVID-19 Pandemic, the 2021 Seminar will take place virtually from March 19-21. It will feature film screenings and discussions, a keynote, a director’s commentary, and some works-in-progress screenings. Applications to attend are now closed, but any questions can be directed to seminar@blackstarfest.org.

    Submissions for this year’s BlackStar Film Festival, which will be held virtually again in light of the continuing COVID-19 pandemic from August 4–8, 2021, are now open. Deadlines for submissions are February 10 (Early), March 8 (Preferred) and March 31 (Late). Filmmakers will be notified in early May.

    BlackStar Film Festival’s 2020 edition included approximately 90 films, including 24 world premieres, and represented more than 20 countries. In addition to presenting a wide-ranging program of live programs and panels online, the festival also featured three drive-in screenings at Philadelphia’s Mann Center for the Performing Arts in West Fairmount Park.

    For overall information on BlackStar, including its festival and programs, visit blackstarfest.org.

    About BlackStar Film Festival

    The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and global communities of color — showcasing films by Black, Brown, and Indigenous people from around the world.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Robert Grand
    Account Coordinator, Cultural Counsel
    robert@culturalcounsel.com

  • BlackStar Celebrates 10th Anniversary, Announces New Year-Round Programs

    BlackStar Celebrates 10th Anniversary, Announces New Year-Round Programs

    BlackStar Projects is proud to kick off our tenth year with a slate of new initiatives that continue to expand the reach and breadth of the organization. Already home to the BlackStar Film Festival, BlackStar Projects is thrilled to announce several new and continuing initiatives that will expand upon the acclaimed festival, including a streaming talk show, print journal, filmmaker seminar, and podcast. More details about each are below.

    In addition to these new projects, BlackStar is pleased to announce a special print portfolio and fundraiser in advance of their 10th annual film festival, taking place this August. Over the next year, BlackStar will release a limited edition, 8.5 x 11-inch print each month, featuring artworks by Garrett Bradley, Damon Davis, Kevin Jerome Everson, Haile Gerima, Arthur Jafa, Kahlil Joseph, Louis Massiah, Terence Nance, Michelle Angela Ortiz, Fahamu Pecou, Andrea Pippins, and Cauleen Smith. More information on purchasing options and the print series will be available on BlackStar’s website here, beginning January 15.

    2021 will also see the return of BlackStar Live!, which premiered during the 2020 Film Festival as a special daily morning show featuring filmmaker interviews, live performances, astrological updates, and roundtable discussions of the day’s programming. Season 1.5 of BlackStar Live!, presented by Open Society Foundations, will return as a weekly program, streaming every Friday in February with the first episode premiering Friday, February 5. Guests include Mahogany Browne, Kimberly Drew, Jamila Crawfor Pécou, Omar Tate, Ahmir “Questlove” Thompson, and Jenna Wortham.

    The new year will also welcome the second issue of Seen, a new, twice-annual journal of film and visual culture made for and about Black, Brown, and Indigenous communities. Issue 002, edited by curator, writer, and editor Dessane Lopez Cassell, will be available in May 2021. Issue 001, which was released last winter, is available in print and digital formats here.

    BlackStar has also launched a new podcast, Many Lumens, featuring BlackStar Artistic Director and CEO Maori Karmael Holmes in discussion with guests who illuminate the world through film and media art, creating at the intersections of art, social change, and popular culture. The first episode, featuring Surviving R. Kelly executive producer dream hampton, premiered on Monday, January 4 and is available to stream here. In addition to a teaser and introduction special, five new episodes will premiere every Monday through February 1. Many Lumens is available on Apple, Spotify, Google, Stitcher, RSS, and other podcast outlets.

    BlackStar was also recently named one of the nationwide Satellite Screens for the 2021 Sundance Film Festival, hosting films and customized local programming from January 28 through February 3, 2021 in Philadelphia.

    Expanding on the success of the annual day-long filmmakers symposium at the Festival (that has included 100 filmmakers of color annually), BlackStar is also hosting a three-day seminar for artists of color working in cinematic realms this year. This online event will take place in March and registration will open later this month.

    Submissions for this year’s BlackStar Film Festival, which will be held virtually again in light of the continuing COVID-19 pandemic, will open on January 15.

    These new initiatives follow a historic 2020 edition of the BlackStar Film Festival, which moved primarily online due to the ongoing pandemic. The Festival lineup included approximately 90 films, including 24 world premieres, and represented more than 20 countries. In addition to presenting a wide-ranging program of live programs and panels, the festival also featured three drive-in screenings at Philadelphia’s Mann Center for the Performing Arts in West Fairmount Park.

    For overall information on BlackStar, including its festival and programs, visit blackstarfest.org.

    About BlackStar Film Festival

    The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and global communities of color — showcasing films by Black, Brown, and Indigenous people from around the world.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Robert Grand
    Account Coordinator, Cultural Counsel
    robert@culturalcounsel.com

     

  • BlackStar Launches Film and Visual Culture Journal Seen

    BlackStar Launches Film and Visual Culture Journal Seen

    BlackStar Projects, producer of the BlackStar Film Festival, is proud to announce the launch of Seen, a twice-annual journal of film and visual culture made for and about Black, Brown, Indigenous and other artists of color.

    Edited by BlackStar Artistic Director and CEO Maori Karmael Holmes, Seen’s first issue includes essays, reviews, interviews, original art and photography, and more.

    “As artists of color, we have always had to contend with our work being overlooked and ignored. We are practiced in finding each other, making demands of institutions, and building worlds anew,” writes Holmes in her introduction to the issue. “With Seen we are attempting to highlight why our perspectives on our art have always been and continue to be vital.”

    Highlights from the issue include Heitor Augusto on queer Black Brazilian cinema, Niela Orr in conversation with The Forty-Year-Old Version writer/director Radha Blank, Darol Olu Kae on Sky Hopinka’s maɬni – towards the ocean, towards the shore, Heidi Saman in conversation with Lulu Wang, a look inside renowned painter Amy Sherald’s Jersey City studio, an unproduced short script by Terence Nance, and storyboards from Blitz Bazawule’s The Burial of Kojo.

    Seen will officially release both online and in print on November 20, and is now available for preorder here.

    The release of Seen follows on the heels of this year’s BlackStar Film Festival, which included approximately 90 films, including 24 world premieres and representing more than 20 countries. In addition to presenting an array of live programs and panels, this year also marked the debut of BlackStar Live!, a special daily morning show featuring filmmaker interviews, astrological updates and roundtable discussions of the day’s film programming, streamed exclusively on Facebook Live. Blackstar’s film program drew more than 30,000 views, and its daily slate of free live programming totaled more than 3.5 million.

    The full list of Seen contributors includes Amy Sherald, Bing Liu, Blitz Bazawule, Darol Kae, Derica Cole Washington, Dessane Lopez Cassell, Donte Neal, Elizabeth Méndez Berry, Emir Lewis, Eric Branco, Erin Christovale, Heidi Saman, Heitor Augusto, Imran Siddiquee, Jason Pollard, Jemma Desai, Jheanelle Brown, Jon-Sesrie Goff, Juliana Reyes, Loira Limbal, Lulu Wang, Makeba Rainey, Maori Karmael Holmes, Michelle Ortiz, Nam Lee, Nehad Khader, Niela Orr, Racquel Gates, Radha Blank, Roni Nicole Henderson, Sham-e-Ali Nayeem, Sonya Childress, Susy Zepeda, Suzanne Kite, Tatyana Fazlalizadeh, Terence Nance, and Zeshawn Ali.

    The issue’s cover features an illustration by Makeba Rainey. In addition to Holmes, the editorial staff includes Nehad Khader, Managing Editor & Essays Section Editor; Imran Siddiquee, Reviews Section Editor; Kavita Rajanna, Interviews Section Editor; Shauna Swartz, Copyeditor; and Jelsen Lee Innocent, Designer.

    Seen’s Editorial Advisory Board consists of Jeff Chang, Akiba Solomon, John L. Jackson, Jr., Louis Massiah, Adam Piron, Roya Rastegar, Sally Singer, Elizabeth Méndez Berry, Tarana Burke, Greg Tate, Gina Duncan, and Zaheer Ali.

    For more information on Seen, the BlackStar Film Festival, and other BlackStar programs, visit blackstarfest.org.

    About BlackStar Film Festival

    The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and global communities of color — showcasing films by Black, Brown, and Indigenous people from around the world.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com