BlackStar

Category: Press Release

  • BlackStar Launches Second Issue of Seen

    BlackStar Launches Second Issue of Seen

    BlackStar Projects, producer of the BlackStar Film Festival, is proud to announce the launch of the second issue of Seen, its twice-annual journal of film and visual culture made for and about Black, Brown, Indigenous, and other artists of color.

    Issue 002 of Seen will be available for pre-order here beginning May 25, and the print and digital editions will be officially released on June 18th.

    Guest-edited by curator, writer, and editor Dessane Lopez CassellSeen’s second issue includes essays, reviews, interviews, original art and photography, and more. The issue features a wide range of voices, including strong representation of Caribbean creatives, across writers and subjects.

    “As each piece in this issue exemplifies, this work of carving out space is both transformative and integral to Black, Brown, and Indigenous communities around the world.” writes Lopez Cassell in her introduction to the issue. “It is often quiet, slow, spiritual, and perhaps most importantly, it is ongoing.”

    Highlights from the second issue of Seen include Razan Al-Salah on queer, anticolonial filmmaking, Karas Lamb in conversation with QuestloveLakshmi Padmanabhan on Minari & American-ness, Astria Suprak’s visual essay on science fiction, futurity, and Asian material culture, a review of Liborio by Dixa Ramírez D’Oleo, and a behind-the-scenes look at photographer and artist Rikkí Wright’s Los Angeles studio. The cover story features filmmaker Keisha Rae Witherspoon’s script for T, accompanied by an original introduction.

    The release of Issue 002 is accompanied by a dynamic IG live series featuring Seen contributors. All conversations will take place between Blackstar’s Instagram (@blackstarfest) and Seen’s (@seen_journal). The first live conversation aligns with partner organization Color of Change’s Racial Justice Week of Action, and will take place on May 25th at 2:30pm ET with special guests Keisha Rae Witherspoon and Gina Duncan. On June 1st, Astria Suparak and BlackStar Festival Director Nehad Khader will go live at 4pm ET, and June 8th will feature Dessane Lopez Casell and Jlin, live at 4pm ET.

    The release of the new issue of Seen kicks off BlackStar’s summer season, which includes the 10th anniversary of its signature program, the BlackStar Film Festival, which will run from August 4-8, 2021. This year also marked the launch of several new and ongoing initiatives, including the Blackstar 10th Anniversary Print Sale and podcast Many Lumens. A new limited edition print by celebrated artists is released on the 15th of every month to fundraise in honor of Blackstar’s first decade. Participating artists include: Garrett Bradley, Arthur Jafa, Kahlil Joseph, and Cauleen Smith. Meanwhile, BlackStar’s new podcast Many Lumens now has five episodes available — all illuminating conversations between BlackStar Artistic Director and CEO Maori Karmael Holmes and a range of guests, including dream hampton, Janicza Bravo, and Blitz Bazawule.

    The full list of Seen contributors includes Razan AlSalah, Saleem Albeik, Heitor Augusto, Erin Christovale, Jemma Desai, D’Lo, Terri Francis, Maori Karmael Holmes, Beandrea July, Karas Lamb, Luce Capco Lincoln, Dessane Lopez Cassell, Rachell Morillo, Janaína Oliveira, Meg Onli, Lakshmi Padmanabhan, Jlin, Keisha Rae Witherspoon, Farrah Rahaman, Dixa Ramírez D’Oleo, Imran Siddiquee, Tzutzumatzin Soto, Astria Suparak, Claire Tancons, Lendl Tellington, and Rikkí Wright.

    The issue’s cover features the work of filmmaker Keisha Rae Witherspoon. In addition to Lopez Cassell, the editorial staff includes: Caroline Washington⁠⁠, Art Director; Nehad Khader⁠⁠, Managing Editor⁠⁠; Leo Brooks⁠⁠, Design Associate; Imran Siddiquee, Communications Director; Jasmine Weber⁠⁠, Essays Editor⁠⁠; Kavita Rajanna⁠⁠, Interviews Editor⁠⁠; Yasmine Espert⁠⁠, Profiles & Reviews Editor⁠⁠; Sydney Alicia Rodriguez, Program Associate; Shauna Swartz⁠⁠, Copyeditor⁠⁠⁠⁠; and Maori Karmael Holmes, Founding Editor.⁠⁠

    Seen’s Editorial Advisory Board consists of Jeff Chang, Akiba Solomon, John L. Jackson, Jr., Louis Massiah, Adam Piron, Roya Rastegar, Sally Singer, Elizabeth Méndez Berry, Tarana Burke, Greg Tate, Gina Duncan, and Zaheer Ali.

    Seen may be purchased via local, international, and online outlets, including: BYE BYE NEIGHBOR, Harriett’s Bookshop, magCulture, McNally Jackson, Philadelphia Printworks, Reparations Club, The Sable Collective, Tomorrow Today, and Ulises. To purchase your copy, visit  blackstarfest.org/Stockists for more information.

    The first issue of Seen, edited by BlackStar Artistic Director and CEO Maori Karmael Holmes, included essays, reviews, interviews, original art and photography, and more. The first issue introduced the publication with features including Heitor Augusto on queer Brazilian cinema, Niela Orr in conversation with The Forty-Year-Old Version writer/director Radha Blank, a look inside renowned painter Amy Sherald’s Jersey City studio, an unproduced short script by Terence Nance, and storyboards from Blitz Bazawule’s The Burial of Kojo.

    Issue 003, to be released later this year, will be edited by writer and filmmaker Darol Olu Kae.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Robert Grand
    Account Coordinator, Cultural Counsel
    robert@culturalcounsel.com

  • BlackStar Celebrates 10th Anniversary with 2021 Festival

    BlackStar Celebrates 10th Anniversary with 2021 Festival

    BlackStar Projects, the premier organization celebrating visionary Black, Brown, and Indigenous film and media artists, is proud to announce that the next edition of their annual festival will take place August 4-8, 2021. The festival will be held virtually again in light of the continuing COVID-19 pandemic.

    “So much has changed in the past decade, for us as an organization, for the artists we serve, and the field at large,” says BlackStar Artistic Director & CEO Maori Karmael Holmes. “It’s an honor to be engaged with cultural work at this transformative time and see the impact these creators are making here in the U.S. and around the world.”

    This year marks the 10th anniversary of the BlackStar Film Festival, which has seen considerable and continued growth over the past decade, both in the scope and reach of the festival itself and with new and continuing initiatives for the organization year-round. Among these new initiatives are Seen, a print journal of film and visual culture focused on Black, Brown, and Indigenous communities globally published twice each year; the podcast Many Lumenswhich finds BlackStar founder Maori Karmael Holmes in dialogue with the most groundbreaking artists, change makers, and cultural workers in the game; and BlackStar Live!, a streaming talk show featuring interviews with filmmakers, visual artists, authors, and musicians, not to mention sketch comedy, insightful social critique, musical performances.

    Another new initiative includes The William and Louise Greaves Filmmaker Seminar, whose inaugural edition took place virtually from March 19-21, 2021. Based on the success of the day-long filmmakers’ symposium at the annual festival, this three-day gathering for artists of color working in cinematic realms featured a keynote address from Ghanaian filmmaker Nuotama Bodomo, a special work-in-progress screening with Adam Khalil & Zack Khalil, a live Director’s Commentary event with Yance Ford along with curated programs of short films, panel discussions involving industry professionals, and much more.

    In celebration of this year’s major milestone, BlackStar launched a print portfolio fundraiser, through which BlackStar supporters can purchase limited-edition prints—a new print is made available each month. Prints are currently on sale by Oscar-nominated TIME (BlackStar 2020) director Garrett Bradley, documentary filmmaker, MacArthur Fellow, founder of the Scribe Video Center in Philadelphia, and How to Make A Flower: La Méthode MOBO (BlackStar 2020) director Louis Massiah, and award-winning, post-disciplinary artist and Whose Streets? (BlackStar 2017) co-director Damon Davis. The organization will continue to release an exclusive, limited edition, 8.5 x 11-inch print on the 15th of each month, featuring artworks by Kevin Jerome Everson, Haile Gerima, Arthur Jafa, Kahlil Joseph, Terence Nance, Michelle Angela Ortiz, Fahamu Pecou, Andrea Pippins, and Cauleen Smith. More information on purchasing options and the print series is available on BlackStar’s website here.

    BlackStar Projects and our year-round programs are generously supported by the Academy of Motion Pictures Arts & Sciences, Andrew W. Mellon Foundation, Andy Warhol Foundation for the Visual Arts, Annenberg Center for the Performing Arts, Annenberg School for Communication at University of Pennsylvania, Barra Foundation, CineReach, Ford Foundation/JustFilms, Independence Public Media Foundation, John D. and Catharine T. MacArthur Foundation, John S. and James L. Knight Foundation, Mid Atlantic Arts Foundation, Nathan Cummings Foundation, Perspective Fund, Samuel S. Fels Fund, Sundance Institute, Surdna Foundation, William Penn Foundation, and Wyncote Foundation. We are also supported by our board of directors, community partners, and a host of generous individual donors and organizations.

    BlackStar Film Festival’s 2020 edition included approximately 90 films, including 24 world premieres, and represented more than 20 countries. In addition to presenting a wide-ranging program of live programs and panels online, the festival also featured three drive-in screenings at Philadelphia’s Mann Center for the Performing Arts in West Fairmount Park.

    Additional information on ticketing, judging, sponsors, programming, and the slate of films that will be featured at this year’s festival will be announced soon. For overall information on BlackStar, including its festival and programs, visit blackstarfest.org.

    About BlackStar Projects

    BlackStar Projects, home of the annual BlackStar Film Festival, celebrates and provides platforms for visionary Black, Brown, and Indigenous artists. We do this by producing year-round programs including film screenings, exhibitions, an annual film festival, a filmmaker seminar, a film production lab, and a journal of visual culture. These programs provide artists opportunities for viable strategies for collaborations with other artists, audiences, funders, and distributors.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Robert Grand
    Account Coordinator, Cultural Counsel
    robert@culturalcounsel.com

  • BlackStar Projects and The Fabric Workshop and Museum Present New Installation of Revival!

    BlackStar Projects and The Fabric Workshop and Museum Present New Installation of Revival!

    BlackStar Projects, the premier organization celebrating visionary Black, Brown, and Indigenous film and media artists, in partnership with The Fabric Workshop and Museum, is proud to present a new iteration of Revival!, an audio-visual meditation celebrating the visual and sonic culture of shared Black spiritual experience. The installation is part of BlackStar’s efforts to provide engaging programming that extends beyond their annual film festival, hosted in Philadelphia each summer. Originally a live-streamed series of virtual dance parties and performances, this iteration of Revival! will be on view in The Fabric Workshop and Museum’s Arch Street window from February 21 through June 6, 2021, and will gradually expand and evolve over that time.

    Revival! features an audio-visual mix by filmmaker and artist Rashid Zakat. An attempt to reimagine and practice what collective joy and resilience look like in times of crisis, Revival! subtly draws upon José Esteban Muñoz’s notion of ecstasy as “an invitation, a call to a then-and-there, a not-yet-here… a collective potentiality,” treating ecstasy not only as a corrective balm to injury but a world-making claim to the right of life, imagination, and joyful expression, an especially critical response to our current moment.

    Featured on a grid of video monitors in FWM’s front window on Arch Street in Center City, the accompanying soundtrack for Revival! will be projected onto the street during museum hours. Viewers are also invited to scan a QR code to access the Revival! stream from their personal devices anytime, anywhere. The installation is meant to be iterative, with evolving content to be featured over the course of its run through early June.

    Museum hours are 12 pm to 6 pm on Tuesday through Friday and 12 pm to 5 pm on Saturday and Sunday. Additional support for Revival! is provided by the Stavros Niarchos Foundation (SNF) Paideia Program at the University of Pennsylvania.

    To see more of Zakat’s work, visit Rashid.tv.

    About The Fabric Workshop and Museum

    Founded in 1977, The Fabric Workshop and Museum (FWM) both makes and presents, encouraging artists to experiment with new materials and new media in a veritable living laboratory. Through its renowned Artist-in-Residence (AIR) Program, FWM collaborates with artists to expand their practices, while documenting the course of artistic production from inspiration to realization. FWM presents large-scale exhibitions, installations, and performative work, utilizing innovative fiber and other media. Today, FWM is the only US institution devoted to creating work in textile and new media in collaboration with some of the most significant artists of our time.

    About BlackStar Film Festival

    The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and global communities of color — showcasing films by Black, Brown, and Indigenous people from around the world.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Robert Grand
    Account Coordinator, Cultural Counsel
    robert@culturalcounsel.com

  • BlackStar Projects Announces Staff and Board Additions

    BlackStar Projects Announces Staff and Board Additions

    BlackStar Projects the premier organization celebrating visionary Black, Brown, and Indigenous film and media artists, is proud to announce a further expansion of its staff and board, reflecting its continued growth as it enters its 10th year.

    Three new full-time staff members are joining the BlackStar team: Sara Zia Ebrahimi as Deputy Director; Leo Brooks as Communications & Design Associate; and Sydney Alicia Rodriguez as Program Associate. These new staff members join as BlackStar continues to expand its reach into year-long programming that provides artists and filmmakers with opportunities for collaborations with colleagues, audiences, funders, and distributors across the world.

    Prior to joining BlackStar, Ebrahimi has held positions at the Leeway Foundation, Independent Television Service’s (ITVS) Community Cinema program and at Bread & Roses Community Fund. Brooks, formerly BlackStar’s 2020 Summer Fellow, has also held positions at the Jewish Museum and HvADesign, and Rodriguez has worked on the BlackStar Film Festival for several years, in addition to positions at Aubin Pictures and MTV.

    BlackStar is also proud to welcome to their esteemed Board of Directors Taj Reid, EVP, Executive Design Director at Edelman. Reid joins a robust Board that includes Maori Karmael Holmes, BlackStar’s Artistic Director and CEO; Denise Beek, Chief Communications Officer of ‘me too.’ International; Amanda Branson Gill, Co-Founder of Kilo Films; Sekou Campbell, Partner at Culhane Meadows PLLC; Michael Garden, Principal of Michael Garden Group; Sunanda Ghosh, Director of Strategic Growth at The Redford Center; Ted Passon, President of All Ages Productions; and Tayyib Smith, Principal of organizations Little Giant, Smith&Roller, and Pipeline Philly.

    BlackStar continues its special print portfolio and fundraiser, celebrating the 10th anniversary of the organization. A limited-edition print is currently available from TIME (BlackStar 2020) director Garrett Bradley, and the organization will continue release an exclusive, limited edition, 8.5 x 11-inch print on the 15th of each month, featuring artworks by Damon Davis, Kevin Jerome Everson, Haile Gerima, Arthur Jafa, Kahlil Joseph, Louis Massiah, Terence Nance, Michelle Angela Ortiz, Fahamu Pecou, Andrea Pippins, and Cauleen Smith. More information on purchasing options and the print series is available on BlackStar’s website here.

    Expanding on the success of the annual day-long filmmakers symposium at the Festival (that has included 100 filmmakers of color annually), BlackStar is also hosting The William and Louise Greaves Filmmaker Seminar, a three-day gathering for artists of color working in cinematic realms this year. Due to the ongoing COVID-19 Pandemic, the 2021 Seminar will take place virtually from March 19-21. It will feature film screenings and discussions, a keynote, a director’s commentary, and some works-in-progress screenings. Applications to attend are now closed, but any questions can be directed to seminar@blackstarfest.org.

    Submissions for this year’s BlackStar Film Festival, which will be held virtually again in light of the continuing COVID-19 pandemic from August 4–8, 2021, are now open. Deadlines for submissions are February 10 (Early), March 8 (Preferred) and March 31 (Late). Filmmakers will be notified in early May.

    BlackStar Film Festival’s 2020 edition included approximately 90 films, including 24 world premieres, and represented more than 20 countries. In addition to presenting a wide-ranging program of live programs and panels online, the festival also featured three drive-in screenings at Philadelphia’s Mann Center for the Performing Arts in West Fairmount Park.

    For overall information on BlackStar, including its festival and programs, visit blackstarfest.org.

    About BlackStar Film Festival

    The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and global communities of color — showcasing films by Black, Brown, and Indigenous people from around the world.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Robert Grand
    Account Coordinator, Cultural Counsel
    robert@culturalcounsel.com

  • BlackStar Celebrates 10th Anniversary, Announces New Year-Round Programs

    BlackStar Celebrates 10th Anniversary, Announces New Year-Round Programs

    BlackStar Projects is proud to kick off our tenth year with a slate of new initiatives that continue to expand the reach and breadth of the organization. Already home to the BlackStar Film Festival, BlackStar Projects is thrilled to announce several new and continuing initiatives that will expand upon the acclaimed festival, including a streaming talk show, print journal, filmmaker seminar, and podcast. More details about each are below.

    In addition to these new projects, BlackStar is pleased to announce a special print portfolio and fundraiser in advance of their 10th annual film festival, taking place this August. Over the next year, BlackStar will release a limited edition, 8.5 x 11-inch print each month, featuring artworks by Garrett Bradley, Damon Davis, Kevin Jerome Everson, Haile Gerima, Arthur Jafa, Kahlil Joseph, Louis Massiah, Terence Nance, Michelle Angela Ortiz, Fahamu Pecou, Andrea Pippins, and Cauleen Smith. More information on purchasing options and the print series will be available on BlackStar’s website here, beginning January 15.

    2021 will also see the return of BlackStar Live!, which premiered during the 2020 Film Festival as a special daily morning show featuring filmmaker interviews, live performances, astrological updates, and roundtable discussions of the day’s programming. Season 1.5 of BlackStar Live!, presented by Open Society Foundations, will return as a weekly program, streaming every Friday in February with the first episode premiering Friday, February 5. Guests include Mahogany Browne, Kimberly Drew, Jamila Crawfor Pécou, Omar Tate, Ahmir “Questlove” Thompson, and Jenna Wortham.

    The new year will also welcome the second issue of Seen, a new, twice-annual journal of film and visual culture made for and about Black, Brown, and Indigenous communities. Issue 002, edited by curator, writer, and editor Dessane Lopez Cassell, will be available in May 2021. Issue 001, which was released last winter, is available in print and digital formats here.

    BlackStar has also launched a new podcast, Many Lumens, featuring BlackStar Artistic Director and CEO Maori Karmael Holmes in discussion with guests who illuminate the world through film and media art, creating at the intersections of art, social change, and popular culture. The first episode, featuring Surviving R. Kelly executive producer dream hampton, premiered on Monday, January 4 and is available to stream here. In addition to a teaser and introduction special, five new episodes will premiere every Monday through February 1. Many Lumens is available on Apple, Spotify, Google, Stitcher, RSS, and other podcast outlets.

    BlackStar was also recently named one of the nationwide Satellite Screens for the 2021 Sundance Film Festival, hosting films and customized local programming from January 28 through February 3, 2021 in Philadelphia.

    Expanding on the success of the annual day-long filmmakers symposium at the Festival (that has included 100 filmmakers of color annually), BlackStar is also hosting a three-day seminar for artists of color working in cinematic realms this year. This online event will take place in March and registration will open later this month.

    Submissions for this year’s BlackStar Film Festival, which will be held virtually again in light of the continuing COVID-19 pandemic, will open on January 15.

    These new initiatives follow a historic 2020 edition of the BlackStar Film Festival, which moved primarily online due to the ongoing pandemic. The Festival lineup included approximately 90 films, including 24 world premieres, and represented more than 20 countries. In addition to presenting a wide-ranging program of live programs and panels, the festival also featured three drive-in screenings at Philadelphia’s Mann Center for the Performing Arts in West Fairmount Park.

    For overall information on BlackStar, including its festival and programs, visit blackstarfest.org.

    About BlackStar Film Festival

    The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and global communities of color — showcasing films by Black, Brown, and Indigenous people from around the world.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Robert Grand
    Account Coordinator, Cultural Counsel
    robert@culturalcounsel.com

     

  • BlackStar Launches Film and Visual Culture Journal Seen

    BlackStar Launches Film and Visual Culture Journal Seen

    BlackStar Projects, producer of the BlackStar Film Festival, is proud to announce the launch of Seen, a twice-annual journal of film and visual culture made for and about Black, Brown, Indigenous and other artists of color.

    Edited by BlackStar Artistic Director and CEO Maori Karmael Holmes, Seen’s first issue includes essays, reviews, interviews, original art and photography, and more.

    “As artists of color, we have always had to contend with our work being overlooked and ignored. We are practiced in finding each other, making demands of institutions, and building worlds anew,” writes Holmes in her introduction to the issue. “With Seen we are attempting to highlight why our perspectives on our art have always been and continue to be vital.”

    Highlights from the issue include Heitor Augusto on queer Black Brazilian cinema, Niela Orr in conversation with The Forty-Year-Old Version writer/director Radha Blank, Darol Olu Kae on Sky Hopinka’s maɬni – towards the ocean, towards the shore, Heidi Saman in conversation with Lulu Wang, a look inside renowned painter Amy Sherald’s Jersey City studio, an unproduced short script by Terence Nance, and storyboards from Blitz Bazawule’s The Burial of Kojo.

    Seen will officially release both online and in print on November 20, and is now available for preorder here.

    The release of Seen follows on the heels of this year’s BlackStar Film Festival, which included approximately 90 films, including 24 world premieres and representing more than 20 countries. In addition to presenting an array of live programs and panels, this year also marked the debut of BlackStar Live!, a special daily morning show featuring filmmaker interviews, astrological updates and roundtable discussions of the day’s film programming, streamed exclusively on Facebook Live. Blackstar’s film program drew more than 30,000 views, and its daily slate of free live programming totaled more than 3.5 million.

    The full list of Seen contributors includes Amy Sherald, Bing Liu, Blitz Bazawule, Darol Kae, Derica Cole Washington, Dessane Lopez Cassell, Donte Neal, Elizabeth Méndez Berry, Emir Lewis, Eric Branco, Erin Christovale, Heidi Saman, Heitor Augusto, Imran Siddiquee, Jason Pollard, Jemma Desai, Jheanelle Brown, Jon-Sesrie Goff, Juliana Reyes, Loira Limbal, Lulu Wang, Makeba Rainey, Maori Karmael Holmes, Michelle Ortiz, Nam Lee, Nehad Khader, Niela Orr, Racquel Gates, Radha Blank, Roni Nicole Henderson, Sham-e-Ali Nayeem, Sonya Childress, Susy Zepeda, Suzanne Kite, Tatyana Fazlalizadeh, Terence Nance, and Zeshawn Ali.

    The issue’s cover features an illustration by Makeba Rainey. In addition to Holmes, the editorial staff includes Nehad Khader, Managing Editor & Essays Section Editor; Imran Siddiquee, Reviews Section Editor; Kavita Rajanna, Interviews Section Editor; Shauna Swartz, Copyeditor; and Jelsen Lee Innocent, Designer.

    Seen’s Editorial Advisory Board consists of Jeff Chang, Akiba Solomon, John L. Jackson, Jr., Louis Massiah, Adam Piron, Roya Rastegar, Sally Singer, Elizabeth Méndez Berry, Tarana Burke, Greg Tate, Gina Duncan, and Zaheer Ali.

    For more information on Seen, the BlackStar Film Festival, and other BlackStar programs, visit blackstarfest.org.

    About BlackStar Film Festival

    The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and global communities of color — showcasing films by Black, Brown, and Indigenous people from around the world.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

     

  • BlackStar Film Festival Wraps Up 9th Year, Announces Winners for 2020 Competition

    BlackStar Film Festival Wraps Up 9th Year, Announces Winners for 2020 Competition

    The BlackStar Film Festival, the world’s premier celebration of Black, Brown, and Indigenous film and video artists, presented this year with lead sponsor Color of Change, is pleased to announce this year’s award-winning films.

    Winners include Best Feature Documentary Stateless (Apátrida), exploring the depths of the racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic, and Best Feature Narrative Miss Juneteenth, in which a former beauty queen and single mom prepares her rebellious teenage daughter for the “Miss Juneteenth” pageant. The full list of winning films is below.

    This year also marks the first Vimeo Staff Pick Award at BlackStar. Short films featured in the festival are eligible for this award, which includes a $2,500 cash prize and, of course, a Vimeo Staff Pick. The winning film, Curtis Essel’s ALLUMUAH, will be available to watch worldwide for free on Vimeo starting at 10:30am EST on August 27.

    Lionsgate and STARZ also partnered with BlackStar to present the first Lionsgate/STARZ Short Film Award this year. The five winners of this prize will each receive $1,000 each and have the opportunity to showcase their films on STARZ in Black. Winners include Martina Lee’s Black Boy Joy, Oniffe White’s Echoes of a Winter Sunshine, Amy Aniobi’s HONEYMOON, Suha Araj’s Rosa and Felicia Pride’s tender.

    The winner of the second annual BlackStar Pitch, offering filmmakers of color the chance to propose their works-in-progress to an illustrious panel of funders, distributors and producers, was Iyabo Kwayana’s By Water. Kwayana will receive a $25,000 co-production deal with WORLD Channel and free graphic design services from Melancholy Star. Honorable Mention was awarded to Yeelen Cohen for Fighting for the Light; Cohen will receive $2,500 from IF/Then along with free graphic design services from Melancholy Star.

    Finally, BlackStar members voted Legendary: 30 Years of Philly Ballroom and Daughters Of (In Our Mothers’ Gardens) as the winners of the Shine Award, given each year to films directed by Philadelphia-based filmmakers. This year 11 films were eligible for the prize, marking a steep increase in Philadelphia-based representation for the festival. Both Legendary and Daughters Of were world premieres.

    This year’s BlackStar Film Festival lineup included approximately 90 films, including 24 world premieres and representing more than 20 countries. In addition to presenting an array of live programs and panels, this year also marked the debut of BlackStar Live!, a special daily morning show featuring filmmaker interviews, live performances, astrological updates and roundtable discussions of the day’s film programming, streamed exclusively on Facebook Live. The festival also featured three live drive-in screenings in the parking lot in front of Philadelphia’s Mann Center for the Performing Arts in West Fairmount Park. These screenings — Be WaterThe Forty-Year-Old Version and Miss Juneteenth — were presented by Xfinity in partnership with Lyft, Red Bull and the Philadelphia Department of Parks and Recreation, as part of their new Philly Drive-In Movie Nights initiative. The Forty-Year-Old Version was presented by Netflix.

    BlackStar receives support from its dedicated audience along with private foundations, public agencies, corporate, non-profit and individual sponsors. Our lead sponsor for 2020 is Color of Change. Additional supporters include (in alphabetical order): Academy of Motion Pictures Arts & Sciences, All Ages Productions, American Documentary/POV, Annenberg Center for the Performing Arts, Annenberg School for Communication at University of Pennsylvania, Apple Original Films, Barra Foundation, Catapult Film Fund, Cinereach, Expressway Rentals, Facebook, Ford Foundation/JustFilms, IF/Then, Impact Partners, Independence Public Media Foundation, International Documentary Association, Lionsgate/STARZ, Lyft, MacArthur Foundation, MediaJustice, MING Media, Nathan Cummings Foundation, Netflix, PECO, Pennsylvania Department of Community & Economic Development, Pennsylvania Humanities Council, Philadelphia Cultural Fund, Red Bull, Samuel S. Fels Fund, Sundance Institute, Surdna Foundation, Vimeo, WarnerMedia, Wyncote Foundation, WORLD Channel, and Xfinity.

    About BlackStar Projects

    BlackStar Projects is the producer of the BlackStar Film Festival, an annual celebration of the visual and storytelling traditions of the African diaspora and global communities of color — showcasing films by Black, Brown, and Indigenous people from around the world. In addition to the acclaimed festival, BlackStar presents an array of programming across film and visual culture year-round, and produces the twice-annual journal Seen.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Danellys “D.W.” Wong
    Account Coordinator, Cultural Counsel
    dw@culturalcounsel.com

    Robert Grand
    Account Coordinator, Cultural Counsel
    robert@culturalcounsel.com

    Winning Films:

    Best Experimental Film

    Jurors: Kamal Aljafari, Filmmaker; David Hartt, Assistant Professor, Graduate Fine Arts, University of Pennsylvania, Stuart Weitzman School of Design; Meg Onli, Andrea B. Laporte Associate Curator, Institute of Contemporary Art, University of Pennsylvania

    The Giverny Document (Single Channel)

    Dir: Ja’Tovia Gary

    Filmed on location in Harlem, USA and in Claude Monet’s historic gardens in Giverny, France, The Giverny Document is a multi-textured cinematic poem that meditates on the safety, bodily autonomy, and creative virtuosity of Black women.

    Jury Comment: A timely work that will be discussed well into the future

    Best Short Documentary

    Jurors: Damani Baker, Filmmaker; dream hampton, Filmmaker & Writer; Chris Hastings, Executive Producer/Editorial Manager, WORLD Channel WGBH

    The Heart Still Hums

    Dir: Savanah Leaf & Taylor Russell

    A documentary short, following five women as they fight for their children through the cycle of homelessness, drug addictions and neglect from their own parents. Unique, yet undoubtedly familiar to many; a story on fear, sacrifice and the unconditional love between a mother and her children.

    Jury Comment: The Heart Still Hums is cinematic, intimate, attentive, and empathetic, covering issues of restoration, abolition, and support with deep respect.

    *Special Mention

    Man of the People

    Dir: Amir George

    Man of the People is a political thriller centered on the legacy of the first black mayor of Chicago, Harold Washington. A complex unfolding of his two campaign runs and the moments leading to his sudden and mysterious death during his second term. Commissioned by Chicago Film Archives.

    Jury Comment: Man of the People is an original approach to biopic. It takes delicate craft to make a story out of archival footage.

    Best Short Narrative

    Jurors: Lynnée Denise, Artist, Scholar, Writer; Raafi Rivero, Writer/Director; Tourmaline, Artist, Filmmaker, Activist

    Rosa

    Dir: Suha Araj

    While working at her aunt’s flower shop, Rosa takes her job underground when she begins a side business of shipping undocumented bodies to their home countries for burial.

    Jury Comment: The filmmaker handles the punitive burdens faced by immigrants with wit, spectacular performances and unlikely connections between characters. It’s a film that moves through politically charged emotions with cinematic grace.

    Best Feature Documentary

    Jurors: Monika Navarro, Filmmaker and Senior Director of Artist Programs, Firelight Media; Tracy Rector, Managing Director of Storytelling, Nia Tero; Chi-hui Yang, Senior Program Officer, JustFilms, Creativity and Free Expression

    Stateless (Apátrida)

    Dir: Michèle Stephenson

    Through the grassroots campaign of electoral hopeful Rosa Iris, director Michèle Stephenson’s new documentary reveals the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.

    Jury Comment: Stateless is ambitious and innovative in form, telling an important story of borders and national identity with strong characters. The director’s artistry collapses time for stateless Dominicans with Haitian heritage caught in limbo.

    *Special Mention

    ROCÍO

    Dir: Dario Guerrero

    After a sudden cancer diagnosis, an undocumented mother of three must choose between seeking treatment in her native Mexico and awaiting certain death in the US.

    Jury Comment: Special jury mention goes to ROCÍO, a love letter and tender ode to the power of family, connection, and intimacy, told through a rich home video archive that documents an immigrant family’s joy and grief.

    Best Feature Narrative

    Jurors: Elissa Blount Moorhead, Artist, Curator, Producer; Ashley Clark, Director, Film Programming, BAM (Brooklyn Academy of Music); Rajendra Roy, The Celeste Bartos Chief Curator of Film, MoMA

    Miss Juneteenth

    Dir: Channing Godfrey Peoples

    A former beauty queen and single mom prepares her rebellious teenage daughter for the “Miss Juneteenth” pageant.

    Jury Comment: We really love this film: the languid but sure pacing, the performances (and the casting of the locals), the feel for community and tradition, the intergenerational theme, the humor.

    Special Prizes:
    BlackStar Pitch Winners

    Jurors: Opal Bennett, POV Shorts; Jamila Farwell, Netflix; Chloe Gbai, IF/Then; Alex Hannibal, CNN; Chris Hastings, WORLD Channel; Chloe Walters-Wallace, Firelight Media; Chi-hui Yang, JustFilms/Ford Foundation

    By Water

    Dir: Iyabo Kwayana

    A brother’s journey into his own memory becomes a vehicle for reconciliation and healing for his family.

    Runner Up

    Fighting for the Light

    Dir: Yeelen Cohen

    That moment when you’re making a film about the Godfather of African Cinema who gave birth to your name but lose sight of who’s making the film.

    Lionsgate/STARZ Short Film Award Winners

    Black Boy Joy

    Dir: Martina Lee

    Black Boy Joy is an introspective slice of life story about two generations of Black men, living within the same household, juggling the demands of raising a young son with autism while adapting to their new normal after the death of a loved one.

    Echoes of a Winter Sunshine

    Dir: Oniffe White

    A 16 year old and her 10 year old brother find themselves homeless in Harlem, NY.

    HONEYMOON

    Dir: Amy Aniobi

    HONEYMOON tells the story of a newlywed couple on their first night together, made all the more awkward, romantic and honest, because they only just met.

    Rosa

    Dir: Suha Araj

    While working at her aunt’s flower shop, Rosa takes her job underground when she begins a side business of shipping undocumented bodies to their home countries for burial.

    tender

    Dir: Felicia Pride

    After an unexpected one night stand, two women at very different stages of their lives, share an even more intimate morning after.

    Shine Award Winner

    Daughters Of (In Our Mothers’ Gardens)

    Dir. Shantrelle Patrice Lewis

    Daughters Of (In Our Mothers’ Gardens), powered by GirlTrek, examines the immediate and critical importance of self-care and healing for Black women through the lens of their mamas’ mamas’ mamas. So we call their names to reclaim their stories.

    Legendary: 30 Years of Philly Ballroom

    Dirs. Raishad Hardnett, Lauren M. Schneiderman & Cassie Owens

    An inside look into the effort to preserve Philadelphia’s ballroom scene, a Black and Latinx LGBTQ safe-space that has endured for 30 years.

    Vimeo Staff Pick Award

    ALLUMUAH

    Dir: Curtis Essel

    ALLUMUAH explores the way the internet enables a lineage of aesthetics passed between African diaspora artists. Expounding on the concept of African identity and the influence technology has had on it over the decades.

  • BlackStar Film Festival Programs Include Panels, Conversations, Screenings, and Parties

    BlackStar Film Festival Programs Include Panels, Conversations, Screenings, and Parties

    The 2020 BlackStar Film Festival Poster. The poster depicts an electric blue and magenta woman surrounded by plants of the same shades. The woman looks serene and focused.
    Poster art by Joshua Mays.

    BlackStar Film Festival, the world’s premier celebration of Black, Brown, and Indigenous film and video artists, presented this year with lead sponsor Color of Change, is pleased to present its slate of public programs, including three free, live, socially distanced drive-in screenings in Philadelphia.

    This year’s programming includes panel discussions, conversations, digital parties, and outdoor screenings. Among the events will be a virtual opening night party featuring Philadelphia’s own DJ Jazzy Jeff, culture writers Wesley Morris and Jenna Wortham in conversation with Radha Blank on her film The Forty-Year-Old-Version, legendary producer and director Madeline Anderson in conversation with Louis Massiah and Michelle Materre, and the daily morning show BlackStar Live!, co-hosted by Black Thought, which will kick off each day of the festival at 9:15 ET with filmmaker interviews, live performances, astrological updates, roundtable discussions of the day’s film programming, and other content interspersed throughout.

    All programming is free and open to the public; tickets to the festival are only required for access to the festival’s digital film screenings. Digital programs will stream live with closed captioning from the festival’s website, as well as on BlackStar’s Facebook page.

    A rundown of events is below, and the full list of film screenings and programs is available at the festival schedule here.

    This year will also feature three live drive-in screenings in the parking lot in front of Philadelphia’s Mann Center for the Performing Arts in West Fairmount Park. These screenings are presented with Lyft and Red Bull, in partnership with the Philadelphia Department of Parks and Recreation, as part of their new Philly Drive-In Movie Nights initiative. Tickets to the drive-in screenings are free on a first-come, first-served basis and can be signed up for here.

    Be Water

    9:00pm Friday, August 21

    Sign Up for Tickets

    A gripping, fascinating, intimate look at not just those final, defining years of Bruce Lee’s life, but the complex, often difficult, and seismic journey that led to Lee’s ultimate emergence as a singular icon in the histories of film and martial arts. 

    The Forty-Year-Old Version

    9:00pm Saturday, August 22

    Sign Up for Tickets

    Radha, a down-on-her-luck NY playwright, is desperate for a breakthrough before 40. But when she foils what seems like her last shot at success, she’s left with no choice but to reinvent herself as rapper RadhaMUSPrime. The Forty-Year-Old Version follows Radha as she vacillates between the worlds of Hip Hop and theater on a quest to find her true voice. Winner of the Directing Prize at The 2020 Sundance Film Festival, The Forty-Year-Old Version is a hilariously candid and deeply personal debut from writer/director Radha Blank. A fresh addition to the New York City slice-of-life canon shot in lush black and white 35mm, Blank’s film is an ode to the unfulfilled, and those whose adversity gives them a one-of-a-kind story to tell.

    Miss Juneteenth

    9:00pm Sunday, August 23

    Sign Up for Tickets

    A former beauty queen and single mom prepares her rebellious teenage daughter for the “Miss Juneteenth” pageant.

    ***

    This year’s BlackStar Film Festival lineup includes more than 80 films, including 24 world premieres and representing over 20 countries. Ticketed attendees will be able to view all the films through a single online portal, which will be available at watch.blackstarfest.org and through apps available for Apple TV and Roku. Tickets are now available on the festival’s website here, with day passes starting at $5 and a full festival pass available for $100, which is priced to include a donation to BlackStar.

    Get Your Tickets to the Film Festival Now

    BlackStar receives support from its dedicated audience along with private foundations, public agencies, corporate, non-profit and individual sponsors. Our lead sponsor for 2020 is Color of Change. Additional supporters include (in alphabetical order): Academy of Motion Pictures Arts & Sciences, All Ages Productions, American Documentary/POV, Annenberg Center for the Performing Arts, Annenberg School for Communication at University of Pennsylvania, Barra Foundation, Catapult Film Fund, Cinereach, Expressway Rentals, Facebook, Ford Foundation/JustFilms, IF/Then, Impact Partners, Independent Public Media Foundation, International Documentary Association, Lionsgate/STARZ, Lyft, MacArthur Foundation, MediaJustice, MING Media, Nathan Cummings Foundation, Netflix, PECO, Pennsylvania Department of Community & Economic Development, Pennsylvania Humanities Council, Philadelphia Cultural Fund, Red Bull, Samuel S. Fels Fund, Sundance Institute, Surdna Foundation, Vimeo, WarnerMedia, WHYY, Wyncote Foundation, WORLD Channel, and Xfinity.

    For overall information on the festival and its programs, visit blackstarfest.org.

    About BlackStar Film Festival

    The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of the African diaspora and global communities of color — showcasing films by Black, Brown, and Indigenous people from around the world.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Danellys “D.W.” Wong
    Account Coordinator, Cultural Counsel
    dw@culturalcounsel.com

    Robert Grand
    Account Coordinator, Cultural Counsel
    robert@culturalcounsel.com

  • Maori Karmael Holmes Appointed at Annenberg Center and Annenberg School

    Maori Karmael Holmes Appointed at Annenberg Center and Annenberg School

    Maori Karmael Holmes, Artistic Director and CEO of BlackStar Film Festival, has been appointed Curator-at-Large for Film at the Annenberg Center for the Performing Arts and Mediamaker-in-Residence at the Annenberg School for Communication at the University of Pennsylvania.

    As Curator-at-Large for Film, Holmes will work with Annenberg Center Executive and Artistic Director Christopher Gruits to develop a series of films that will complement and amplify the Annenberg Center’s season programming across all disciplines. She will also develop ancillary activities such as lectures and discussions, creating opportunities for students to engage with filmmakers and others working in the film industry.

    As Mediamaker-in-Residence at the Annenberg School, Holmes will teach an undergraduate course and provide mentorship to doctoral and undergraduate students. She also will advise on projects including the Collective for Advancing Multimodal Research Arts (CAMRA) and CAMRA Fellows. Additionally, the Annenberg School will serve as a home for Seen: a journal of film and visual culture, a new journal edited by Holmes, and provide additional support to the BlackStar organization.

    “It’s an honor to be appointed to these positions at both the Annenberg Center and School, two institutions that I deeply respect,” said Holmes. “The capacity of film, both empathetically and intellectually, to explore personal and communal experience in a time like this is a tremendous power, and I’m thrilled to have the opportunity to teach and share with this community.”

    “The Annenberg Center has a long history of presenting film, starting in the 1970s, and we’re excited to work with such a noted film scholar as Maori Holmes to offer our audiences a more robust film program,” said Gruits. “Our collaboration with Maori and partnership with BlackStar Film Fest and the Annenberg School for Communication will build upon the Annenberg Center’s ongoing commitment to presenting a breadth of diverse artists and perspectives for both the Penn and Philadelphia communities. We are grateful to the Office of the Provost and the Office of the Executive Vice President for their support in bringing Maori on board with the Annenberg Center.”

    Said John L. Jackson, Jr., Walter H. Annenberg Dean of the Annenberg School for Communication and Richard Perry University Professor, “Annenberg has been a long-time sponsor of the BlackStar Film Festival, and this new arrangement further solidifies our investment in providing opportunities for students to examine film as a media industry that changes over time and impacts larger social, cultural, and political issues. Having Maori Holmes in the classroom and providing support to our students serves our goal of carefully integrating theory with arts/media/technology practice in organic and meaningful ways. It also reinforces our commitment to engaging the media and arts communities across campus and beyond Penn.”

    Read Maori’s full bio here.

    About the Annenberg Center for the Performing Arts

    The Annenberg Center for the Performing Arts serves as a major cultural destination and crossroads connecting the University of Pennsylvania and the Greater Philadelphia region through innovative human expression in theatre, music, dance, and film, serving an annual audience of over 80,000. The Annenberg Center also serves as a key resource for the arts at Penn, connecting master artists with Penn students in support of and as an enhancement to the arts curriculum. Student performing arts groups are also key users of the Annenberg Center’s multiple performance and rehearsal spaces, while also staffing many operational roles throughout the academic year. In reflection of Penn’s core values as a world-respected academic institution, the Annenberg Center emphasizes artistic and intellectual excellence, diversity and rigor in its presentations; prioritizes broad inclusiveness in the artists, audiences, and groups it serves; manages outstanding performance, conference, and meeting facilities; and stresses comprehensive event planning, production support, and customer service. The Annenberg Center is a major provider of performing arts access for school children and actively engages a broad range of primary, secondary, and post-secondary student audiences and inclusive constituencies from the campus, community, and surrounding region. Visit AnnenbergCenter.org.

    About the Annenberg School for Communication

    Founded in 1959 through the generosity and vision of diplomat and philanthropist Walter Annenberg, the Annenberg School for Communication at the University of Pennsylvania is devoted to furthering our understanding of the role of communication in public life through research, education, and service. With strengths in health communication, political communication, culture and communication, media institutions, digital media and social networks, and global communication, the Annenberg School is one of the top Communication schools in the nation.

    Press Contacts

    Annenberg Center for the Performing Arts
    Katherine Blodgett, Communications Consultant: katherineblodgett@gmail.com, 215.431.1230
    Alexander Freeman, Director of Marketing and Ticketing: freemana@ac.upenn.edu, 215.898.9081

    Annenberg School for Communication
    Julie Sloane, Director of Communications: Julie.sloane@asc.upenn.edu

    BlackStar Film Festival
    Ed Winstead, Director, Cultural Counsel: ed@culturalcounsel.com

  • BlackStar Film Festival Announces Full Lineup, Ticketing, and More for 2020 Festival

    BlackStar Film Festival Announces Full Lineup, Ticketing, and More for 2020 Festival

    Flyer advertising the 2020 BlackStar Film Festival. It has an abstract blue, yellow and peach design in the background. It also list the festival dates: August 20-26.

    BlackStar Film Festival, the world’s premier celebration of Black, Brown, and Indigenous film and video artists, is pleased to announce the full lineup of films for the 2020 program, which will take place August 20-26, 2020. In response to COVID-19, the ninth edition of the festival will be presented entirely online this year.

    Ticketed attendees will be able to view all the films through a single online portal, which will be available at watch.blackstarfest.org and through apps available for Apple TV and Roku. Tickets are now available on the festival’s website here, with day passes starting at $5 and a full festival pass available for $100, which is priced to include a donation to BlackStar.

    Get Your Tickets Now

    This year’s lineup includes more than 80 films, including 24 world premieres and representing over 20 countries.

    Among the World Premieres are:

    Unapologetic, a feature documentary by Ashley O’Shay, that takes a deep look into the Movement for Black Lives in Chicago, providing an intimate peek into the personal and political battles that transform the city.

    Tayler Montague’s debut short In Sudden Darkness, about a working-class family trying to stay afloat in the midst of a city-wide blackout

    The short documentary You Hide Me, made in 1970 but banned widely upon completion. Ghanian filmmaker Nii Kwate Owoo examines the colonization of African Art in the British Museum, London, gaining unprecedented access into the museum’s secret underground vaults.

    Shantrelle Patrice Lewis’ debut feature Daughters Of, which examines the immediate and critical importance of self-care and healing for Black women.

    Raishad Hardnett, Lauren M. Schneiderman & Cassie Owens’ Legendary: 30 Years of Philly Ballroom, an inside look into the effort to preserve Philadelphia’s ballroom scene, a Black and Latinx LGBTQ safe-space that has endured for 30 years.

    Other highlights include:

    Martina Lee’s Black Boy Joy, a short about two generations of Black men, living within the same household, juggling the demands of raising a young son with autism while adapting to their new normal after the death of a loved one

    Channing Godfrey Peoples’ feature narrative Miss Juneteenth, about a former beauty queen and single mom preparing her rebellious teenage daughter for the “Miss Juneteenth” pageant.

    Coded Bias, a feature documentary from director Shalini Kantayya that follows MIT Media Lab researcher Joy Buolamwini and the fallout from her startling discovery that facial recognition does not see dark-skinned faces accurately.

    Ekwa Msangi’s Farewell Amor, a feature narrative about an Angolan immigrant whose wife and teen daughter are finally able to join him in the U.S., after 17 years apart.

    Nationtime – Gary, a feature documentary by William Greaves about the National Black Political Convention of 1972 in Gary, Indiana.

    A Day With Jerusa from Brazilian filmmaker Viviane Ferreira, following a young medium and her 77-year-old neighbor as they travel through time and realities common to their ancestry.

    Amy Aniobi’s HONEYMOONtelling the story of a newlywed couple on their first night together––made all the more awkward, romantic and honest, because they only just met.

    Loira Limbal’s feature documentary Through The Night, presenting the stories of two working mothers and a child care provider, whose lives intersect at a 24-hour daycare center.

    Michèle Stephenson’s Stateless, a feature documentary following the campaign of electoral hopeful Rosa Iris and revealing the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.

    maɬni – towards the ocean, towards the shore, directed by Sky Hopinka. The documentary follows two characters, speaking mostly in chinuk wawa, as they contemplate the afterlife, rebirth, and the place in-between.

    I ran from it and was still in it, an experimental film from Darol Olu Kae offering an intimate portrait of familial loss and separation.

    Down a Dark Stairwell, a documentary from Chinese-American Filmmaker Ursula Liang. The film looks at the complicated fight for accountability and justice after a Chinese-American police officer kills an unarmed, innocent black man in a dark stairwell of a NYC public housing project.

    Zeshawn Ali’s Two Godsabout a Muslim casket maker and ritual body washer in Newark who takes two young men under his wing and teaches them how to live better lives.

    Right Near the Beach, Gibrey Allen’s feature narrative looking at the murder of a prominent Jamaican and the public uproar caused by rumors about the secret life he may have lived.

    ROCÍO, a feature documentary from Mexican-American filmmaker Dario Guerrero. The film profiles an undocumented mother of three who, after a sudden cancer diagnosis, must choose between seeking treatment in her native Mexico or awaiting certain death in the US.

    BlackStar receives support from its dedicated audience along with private foundations, public agencies, corporate, non-profit and individual sponsors. 2020 supporters include: Academy of Motion Pictures Arts & Sciences, Annenberg Center for the Performing Arts, Annenberg School for Communication at University of Pennsylvania, Barra Foundation, British Film Council, CineReach, Color of Change, Ford Foundation/JustFilms, Impact Partners, Independent Public Media Foundation, MacArthur Foundation, Nathan Cummings Foundation, Netflix, PECO, Pennsylvania Department of Community & Economic Development, Pennsylvania Humanities Council, Philadelphia Cultural Fund, Samuel S. Fels Fund, Sundance Institute, Surdna Foundation, WarnerMedia, and WHYY.

    More information on judging, sponsors, and additional programming and events will be announced soon. For overall information on the festival and its programs, visit blackstarfest.org.

    About BlackStar Film Festival

    The BlackStar Film Festival is an annual celebration of the visual and storytelling traditions of
    the African diaspora and global communities of color — showcasing films by Black, Brown, and
    Indigenous people from around the world.

    Press Contacts

    Ed Winstead
    Director, Cultural Counsel
    ed@culturalcounsel.com

    Danellys “D.W.” Wong
    Account Coordinator, Cultural Counsel
    dw@culturalcounsel.com

    Robert Grand
    Account Coordinator, Cultural Counsel
    robert@culturalcounsel.com